剧情简介
minchan工作在hoseuteuba发生就像他们知道事实和大亨和朋友3年庆俊,bongsu把最酷的美发室挤压使命打诈骗基姆夫人。(?)不知道这种情况叫做夫人基姆夫人和崔庆夫人叫大亨3年minchan雇佣albasaeng实际上是娱乐性的跳到脊柱和紧缩计划的灵魂本质。只有双方都朴实无华的模拟eopchirak暂无内容dwichirak赢家最终也没有输家传播这一新的旅程。
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午夜之子
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银瀑
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凯歌香槟
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江湖告急
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster