15岁的夏天

⭐ 5.7 播放:44万 2026-04-28

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剧情提要

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幕后花絮

阿尔菲1966

阿尔菲(迈克尔•凯恩 Michael Caine 饰)生活在繁华的大都市伦敦,平日里最大的爱好便是出没于灯红酒绿的声色犬马之场所。阿尔菲自认为是当代唐璜,流连于不同女人的温香软玉的怀抱之中,私生活十分混乱。                                                                        无论是未经人事的清纯少女还是已有家室的成熟人妻,阿尔菲都会散发他强烈的男性魅力,将对方征服。就连在染病住院期间,阿尔菲都没有放过和性感美艳的小护士共赴云雨的机会。某一日,阿尔菲邂逅了美丽的寡妇卢比(谢利•温特斯 Shelley Winters 饰),让前者没有想到的是,自己的撩妹之术在卢比那里竟然全无作用。不仅如此,曾经对他趋之若鹜的女人们也都渐渐地离开了他。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster