影片推荐
连环扣
马纳夫·卡尔,薇迪亚·巴兰,莎法莉·什提,罗希尼·翰塔伽蒂,Sofiya Khan,Vidhatri Bandi,Iqbal Khan,阿巴斯·达拉勒,Mangesh Desai,Gurpal Singh,朱奈德·汗,Vijay Nikam,Ghanshyam Lalsa,Surya Kasibhatla,Shrikant Yadav魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子唐宫蜜史
胡高峰,陆雨萍,张辰驰虚拟实惊
杰西卡·德·古维,托马斯·康奎尔,TJ·鲍尔,利亚姆·格雷厄姆,普丽西拉-安妮·福德,侯宣德,莎罗姆·布龙-富兰克判决2025
里罗·得万托,礼萨·拉哈迪安死命必达
马里奥·毛瑞尔,莎露彩·查金哈,Phuwanet Seechomphu,Marut Chumchonbun同类精选
霹雳大喇叭
洪金宝,张学友,王祖贤,姜大卫,冯淬帆,秦沛,胡枫,林正英,元华,元奎,张坚庭彼岸2025
瑟比耶·比赫缇娅,弗雷德·赫辛格,Alicher Adill,伊丽努尔·艾尔肯,Erden Uyghur,Esther Chen,Celine Cheung,杰西卡·马,Whitney Chi,Winnie Guo,Ella Rouwen Chen,加布里埃尔·弗曼,Joshua De Jesus,Divina Ito,Justin Cotta,Jasmin Richardson,Tien-Li Wu,熊琳,玛瑞娜·卡贝洛,Austin Owens Kelly第六日
阿诺·施瓦辛格,迈克尔·拉帕波特,托尼·戈德温,迈克尔·鲁克,莎拉·温特,罗伯特·杜瓦尔奇迹男孩
雅各布·特伦布莱,朱莉娅·罗伯茨,伊扎贝拉·维多维奇,欧文·威尔逊,诺亚·尤佩,丹妮尔·罗丝·拉塞尔,纳吉·杰特,戴维德·迪格斯,曼迪·帕廷金,布莱斯·吉扎尔,艾尔·麦金农,泰·孔西利奥,詹姆斯·休斯,凯尔·布瑞特科夫,米莉·戴维斯,莉娅·朱厄特,凯琳·布瑞特科夫,利亚姆·迪金森,艾玛·特伦布莱,马克·多兹劳,鲁奇娅·伯纳德,J·道格拉斯·斯图瓦特,阿里·利伯特,埃丽卡·麦基特里克,本·伊曼纽尔,杰森·麦金农,索尼娅·布拉加,吉洁特加州套房
简·方达,阿伦·阿尔达,玛吉·史密斯,迈克尔·凯恩,沃尔特·马修阿特拉斯耸耸肩2
萨曼莎·玛西丝,杰森·贝盖,埃塞·莫拉雷斯,帕特里克·法比安,金·罗德斯,理查德·T·琼斯,D·B·斯威尼,保罗·麦克兰尼,约翰·鲁宾斯坦,罗伯特·皮卡多,雷·怀斯,戴德里克·巴德,巴格·霍尔,阿尔耶·格罗斯,瑞克斯·林恩影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
昏神
迈克·C·曼宁,格里芬·弗里曼,瑞恩·平克斯顿,奥格斯·罗德,特里萨·纳瓦罗A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.
落难女子
罗伯特·帕丁森,米娅·华希科沃斯卡,大卫·泽尔纳,内森·泽尔纳,罗伯特·福斯特影片被描述为“对西部题材充满爱意的重塑”。帕丁森饰演的Samuel是一位富有的拓荒者，他冒险穿越边境，为了与一生挚爱Penelope（米娅·华希科沃斯卡饰）成亲。Samuel与一个酒鬼和一匹叫作“奶油糖果”的小型马同行，然而简单的旅程却变得危险重重。
愚者的身份
北村匠海,绫野刚,林裕太,山下美月,矢本悠马,木南晴夏在社交网络上伪装女性，用话术诱骗无亲无故的男性套取个人信息，从事户籍买卖的拓也（北村匠海 饰）和守（林裕太 饰），自幼在恶劣环境中长大，不知不觉已成为黑道组织的爪牙。 尽管涉足灰色产业，这两个时常插科打诨的年轻人，本质上只是普通的都市青年，彼此相依为命。当拓也在黑道引路人、犹如兄长般存在的梶谷（绫野刚 饰）的协助下，决心与守一同逃离这个黑暗世界时，等待他们的却是......