官能教室:爱的技巧 官能教室 愛のテクニック (1972)
高中生鱼住勇夫(中村良二 饰)即将迎来高考,但他此时的心绪已不在学业上,美丽的女老师菊地育子(田中真理 饰)令他魂牵梦绕,无法自拔。毕业于体育大学的育子美丽干练,她是学校排球部的老师,其逼人的美艳气息吸引着男学生们的注意。令这群男孩懊恼的是,育子老师正在和化学老师森本彻郎(益富信孝 饰)谈恋爱,并已到了谈婚论嫁的地步。森本形容丑陋猥琐,不过却天赋异秉,使得男孩们在他面前相形见绌。他们使出各种手段试图拆散这对情侣,但所有的计谋最终全部落败,育子对森本情深意笃,不离不弃。 鱼住深爱育子无法自拔,迷乱之际,他决定设计杀掉森本……
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剧情提要
高中生鱼住勇夫(中村良二 饰)即将迎来高考,但他此时的心绪已不在学业上,美丽的女老师菊地育子(田中真理 饰)令他魂牵梦绕,无法自拔。毕业于体育大学的育子美丽干练,她是学校排球部的老师,其逼人的美艳气息吸引着男学生们的注意。令这群男孩懊恼的是,育子老师正在和化学老师森本彻郎(益富信孝 饰)谈恋爱,并已到了谈婚论嫁的地步。森本形容丑陋猥琐,不过却天赋异秉,使得男孩们在他面前相形见绌。他们使出各种手段试图拆散这对情侣,但所有的计谋最终全部落败,育子对森本情深意笃,不离不弃。 鱼住深爱育子无法自拔,迷乱之际,他决定设计杀掉森本……
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困在时间里的父亲
安东尼·霍普金斯,奥利维娅·科尔曼,马克·加蒂斯,奥莉维亚·威廉姆斯,伊莫琴·普茨,卢夫斯·塞维尔,阿耶莎·达尔克,罗曼·泽勒,雷·伯内特,阿德南·昆迪,斯科特·穆林斯,布赖恩·罗杰,艾薇·维鬼三惊2
萨瓦特·博拉娜波拉特,素帕娜·吉塔勒拉,雷·麦克唐纳,辛扎伊·本班尼,Apapattra Meesang小镇杀手
尼可拉斯·布若,乌尔里奇·汤姆森,Mia Lyhne,琳恩·玛丽亚·克里斯滕森,马辛·多洛辛斯基,Gwen Taylor,索伦·莫灵,碧尔特·诺伊曼,Ole Thestrup,Elsebeth Steentoft,Joel Spira,珍斯·安德森,Alexander Behrang Keshtkar,约翰·路易斯·施密特,Mikkel Arendt,金·柯尔德着牛仔裤的钟馗
成奎安,叶蕴仪,王小凤,叶子楣魔法坏女巫2
辛西娅·埃里沃,爱莉安娜·格兰德,杰夫·高布伦,杨紫琼,乔纳森·贝利,伊桑·斯莱特,玛丽莎·博德,彼特·丁拉基,科尔曼·多明戈,亚当·詹姆斯,艾米丽·蒂尔尼,艾琳·巴特尔,迈克尔·瓜内拉,莎拉-杰恩·里德尔,雅雅·哈姆扎,瑞安·曼,乔尔·斯特恩,利里奥·博阿滕,莉兹·艾森,里卡多·卢德罗·苏萨,卡勒姆·鲍耶再见六月
凯特·温斯莱特,托妮·科莱特,海伦·米伦,安德丽娅·赖斯伯勒,蒂莫西·斯波,约翰尼·弗林,斯戴芬·莫昌特,杰里米·斯威夫特,拉扎·杰夫里,詹姆斯·德莱顿,费塞友·阿金那德,李丹,Flora Jacoby Richardson,米歇尔·帕克,Nancy Hannan,James Trevelyan Buckle,Elias Whittaker,Benjamin Shortland,Billie Wren-Grace Butler,Nellie Rae-Grace Butler巴里·林登
瑞安·奥尼尔,马里莎·贝伦森,帕特里克·马基,哈迪·克鲁格,史蒂文·伯克夫,盖伊·汉密尔顿,玛丽·基恩,黛安娜·科尔纳,穆雷·梅尔文,弗兰克·米德尔马斯,安德鲁·莫瑞尔,戈弗雷·奎格利,雷纳德·洛塞特,菲利普·斯通,利昂·维塔利,乔纳森·塞西尔,彼得·塞利尔,杰弗里·蔡特,伯纳德·赫普顿,巴里·杰克逊,沃尔夫·卡赫勒,汉斯·迈尔,费迪·梅恩,利亚姆·雷德蒙,帕特·罗奇,多米尼克·塞维奇,约翰·夏普同系列推荐
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芭比·福特萨,Euwenn Mikaell,JC·阿尔坎塔拉,罗桑娜·罗瑟斯,Jackie Lou Blanco,卡洛斯·西古伊纳-瑞纳,吉娜·帕雷诺,Chrome Cosio小前提
Sathya Sridharan,帕顿·阿什布洛克,达纳·艾希布鲁克幕后花絮
意乱情迷
《锯齿状心灵》讲述的是一个女人被昏迷和奇怪的幻觉所困扰,她发现自己被困在了一系列的时间循环中,这可能与她神秘的新女友有关。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.