十年爱
改编自日本着名漫画仓科辽畅销同名作品,《十年爱》由植田中导演,是樱井麻里首部演出的电影作品。以夜店题材,《十年爱》是仓科辽继《娘王》和《夜王》等人气情色漫画又一部作品搬上荧幕。故事环绕女生麻理(樱井麻里饰),在高中时恋上男生弘也(末野卓磨饰),毕业後为了在新宿找他,沦落风尘,在纠缠不清的肉体和感情关系下,度过了失落的十年。 高中足球赛决胜时刻,主将弘也未能获胜,学校的英雄瞬间失去朋友与自信。一直喜欢弘也的麻理,不忍心看他自暴自弃,甘愿用肉体去安慰他。高中分别後,为了找弘也,麻理不惜千里迢迢到新宿,无处容身的她被迫沦为妓女,阴差阳错邂逅弘也好友阿弘。阔别十年,麻理最终以妓女身份重遇同为牛郎的弘也…初恋情人与曾渡患难的现任男友,麻理将如何抉择?
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剧情简介
改编自日本着名漫画仓科辽畅销同名作品,《十年爱》由植田中导演,是樱井麻里首部演出的电影作品。以夜店题材,《十年爱》是仓科辽继《娘王》和《夜王》等人气情色漫画又一部作品搬上荧幕。故事环绕女生麻理(樱井麻里饰),在高中时恋上男生弘也(末野卓磨饰),毕业後为了在新宿找他,沦落风尘,在纠缠不清的肉体和感情关系下,度过了失落的十年。 高中足球赛决胜时刻,主将弘也未能获胜,学校的英雄瞬间失去朋友与自信。一直喜欢弘也的麻理,不忍心看他自暴自弃,甘愿用肉体去安慰他。高中分别後,为了找弘也,麻理不惜千里迢迢到新宿,无处容身的她被迫沦为妓女,阴差阳错邂逅弘也好友阿弘。阔别十年,麻理最终以妓女身份重遇同为牛郎的弘也…初恋情人与曾渡患难的现任男友,麻理将如何抉择?
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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