剧情纵览
六月的东京,连绵不断的梅雨,让人心烦意乱,欲念横生。供职于心理咨询室的少妇凛子(黒沢あすか 饰)与丈夫(神足裕司 饰)过着优渥的生活,然而夫妻虽然相爱,却因丈夫洁癖的原因始终没有性事。贤淑温良而又倍感压抑的凛子只能通过自慰寻求片刻的满足。某天,一个名叫道郎(塚本晋也 饰)的男子被自杀的念头所困扰,于是打来电话求助。道郎在凛子的开导下渐渐摆脱自杀的泥潭,却转而沉迷于凛子的温柔中。他以凛子自慰的照片作要挟,逼迫这个一贯保守的女子做出一件又一件令她倍感屈辱的事情……
六月的东京,连绵不断的梅雨,让人心烦意乱,欲念横生。供职于心理咨询室的少妇凛子(黒沢あすか 饰)与丈夫(神足裕司 饰)过着优渥的生活,然而夫妻虽然相爱,却因丈夫洁癖的原因始终没有性事。贤淑温良而又倍感压抑的凛子只能通过自慰寻求片刻的满足。某天,一个名叫道郎(塚本晋也 饰)的男子被自杀的念头所困扰,于是打来电话求助。道郎在凛子的开导下渐渐摆脱自杀的泥潭,却转而沉迷于凛子的温柔中。他以凛子自慰的照片作要挟,逼迫这个一贯保守的女子做出一件又一件令她倍感屈辱的事情……
Two New Orleans detectives become embroiled in a centuries-long feud between two secretive factions of vampires while investigating a runaway child's case. Torn between their everyday lives and the dangerous lure of immortality, the detectives must race to destroy the evil Moldero clan.
1)魔术师但丁依靠神秘的斗篷在时尚都会挣下超高的人气,但是斗篷中藏着可怕的秘密,但丁则用录像记录下了一切。直到某天助理斯卡莉特将录像带交给警方,一切昭然若揭;2)野生科学家阿方索制造了一个连通平行空间的大门,他和另一个世界的自己交换空间,到对方的世界进行15分钟的探险,却发现彼此的世界有着天壤之别。3)三个热衷做极限运动的年轻人偶然来到一处画着神秘图案的场所玩耍,不知不觉中遭到一群恐怖之人的包围和袭击;夜幕下的城市突然响起刺耳的警笛声,警方和疯狂逃跑的冰淇淋车展开夺命追逐。卡文和女友艾瑞丝外出张望,谁知一转眼艾瑞丝竟消失不见,卡文疯了一般四下寻找。现代化的社会,人们依赖影像大刷存在感,却都变成了转瞬即逝的数据碎片……
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
1977年,在被军事独裁统治折磨的巴西,四十多岁的马塞洛逃离了他混乱的过去,来到累西腓,希望在这里建立新的生活并与家人重修旧好。然而,他并未料到死亡威胁如影随形,笼罩在他的头顶。