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浴火之森
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基特·哈灵顿,阿什莉·卡明斯,詹姆斯·科兹莫,凯奥林·斯普林加尔,亚当·巴兹尔尸油降
卡文·英玛诺泰,Supawadee Kitisopakul,ชัยยุทธ กิติชัยวัฒน์300杀手
Johnny Andrews,Tierra Peterson,J.P. Simmons光环：夜幕
麦克·柯尔特,克里斯蒂娜·钟金钱怪兽
乔治·克鲁尼,朱莉娅·罗伯茨,杰克·奥康奈尔,多米尼克·韦斯特,凯特瑞娜·巴尔夫,吉安卡罗·埃斯波西托,丹尼斯·布特斯卡里斯,约瑟夫·D·雷特曼,达瑞·因戈尔夫松,克里斯托弗·邓汉,安东尼·德·桑多,莱尼·维尼托同类精选
隐市英雄
彭禺厶,王莎,连奕名,来喜,于莉红,张家豪,马诗红,翟星月,崔颢严弹道无痕
赵岩松,陈大伟,王玉璋,刘大伟,魏琦鬼悚历险3D
阿玛雅·萨拉曼卡,马克西·伊格莱西亚斯,Lucho Fernandez天启Z：完结的起点
何塞·马利亚·亚兹皮克,贝塔·巴斯克斯,伊里娅·德尔·里奥,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María街尾之宅
詹妮弗·劳伦斯,伊丽莎白·苏,麦克斯·泰瑞奥,吉尔·贝罗斯,Eva Link,诺兰·杰拉德·冯克,艾莉·麦克唐纳绝命空间站
Julia Franz Richter,乔治·布莱顿,马克·伊瓦涅影视排行
走火交易
恩佐·科伦蒂,萨姆·赖利,迈克尔·史麦利,布丽·拉尔森,基里安·墨菲,艾米·汉莫,沙尔托·科普雷,巴布·塞赛,诺亚·泰勒,杰克·莱诺,马克·蒙迪欧,帕特里克·博金,萨拉·德,汤姆·戴维斯故事发生在1970年代的爱尔兰，克里斯（希里安·墨菲 Cillian Murphy 饰）是当地的罪犯领袖，维农（沙尔托·科普雷 Sharlto Copley 饰）则是来自南非的军火贩，两拨人通过贾斯丁（布丽·拉尔森 Brie Larson 饰）和奥德（艾米·汉莫 Armie Hammer 饰）的牵线搭桥，准备进行一笔数额巨大的军火交易。 哪知道在交易当天，维农带来的武器竟然并不是克里斯之前预定的款式，这让性格爆裂的克里斯非常的恼火，他将这种言而无信的行为视作是对自己威信的挑战。与此同时，维农的手下哈里（杰克·莱诺 Jack Reynor 饰）控诉克里斯的亲信斯特沃（萨姆·赖利 Sam Riley）骚扰了他的姐姐，这让两个帮派之间的关系处于一触即发的境地。
未知土地
约克·马哈尼,Shirley Patterson,威廉·雷诺兹,亨利·布兰登Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.
过家家2026
成龙,彭昱畅,张佳宁,潘斌龙,李萍,牛犇,刘敏涛,冯兵,李宗恒,芮丹尼,黄才伦,老四,黄炎,韩栋,张国庆,刘頔,刘洋,陈昊明,那家威,杨帆,永辰,李洪权,胡笑源,傅晓娜,韩沐霏,李太言,朱籼籼远离家乡的租客钟不凡（彭昱畅 饰）被老房东任爹（成龙 饰）误识成离家多年的儿子，囊中羞涩的钟不凡不得不与独自漂泊的租客苏晓月 (张佳宁 饰)、斜杠中年房屋中介贾爷 (潘斌龙 饰)、对任爹关怀备至的邻居金珍姑 (李萍 饰)相聚在同一屋檐下，不是一家人，硬进一家门。当钟不凡被任爹不定时发作的糊涂折磨得死去活来时，却发现了老人深藏多年的秘密……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.