剧情纵览
萝拉(洛丽道恩·麦瑟蕊暂无内容LoriDawn暂无内容Messuri暂无内容饰)的好友出国了,为了打理她留下的空房子,萝拉搬到了好友的住所,并且结识了邻居艾丽莎(Jacqueline暂无内容Lovell暂无内容饰)。艾丽莎是一个个性非常奔放的女孩,在她的介绍下,萝拉终于有机会接近自己非常崇拜的著名画家朱利安(Andre暂无内容Wilson暂无内容饰)。
萝拉(洛丽道恩·麦瑟蕊暂无内容LoriDawn暂无内容Messuri暂无内容饰)的好友出国了,为了打理她留下的空房子,萝拉搬到了好友的住所,并且结识了邻居艾丽莎(Jacqueline暂无内容Lovell暂无内容饰)。艾丽莎是一个个性非常奔放的女孩,在她的介绍下,萝拉终于有机会接近自己非常崇拜的著名画家朱利安(Andre暂无内容Wilson暂无内容饰)。
保险经纪人叶永信(陈家乐 饰)某天接到一通神秘来电,电话中的男子问自杀后多久可以拿到赔偿,随后他接到上司通知有客户指定他去跟进保单,叶上门拜访时亲眼目睹一个孩子吊死在屋中,他随即认定客户为诈取保险金而杀害儿子,决心暗中对朱重德(黄秋生 饰)和沈子玲(林嘉欣 饰)夫妇展开调查,恐吓随即接二连三发生在他及恋人文惠仪(汤怡 饰)身上,在又一起命案发生后,他愕然发觉事情和他的判断并不一样…
亨利(加里·库柏 Gary Cooper 饰)是一位热血沸腾的青年,战争爆发了,他自愿前往意大利,成为了一名救护车驾驶员。在意大利,亨利结识了名为凯瑟琳(海伦·海丝 Helen Hayes 饰)的美丽护士,之后,亨利因为受伤被送进了米兰医院,在那里,他和凯瑟琳重逢了。住院期间,亨利和凯瑟琳坠入了情网,凯瑟琳的腹中亦怀上了亨利的骨肉。伤愈之后,亨利回到了战场,却发现我军的士气大跌,处处弥漫着惨淡的气氛。上司开始大量处决涉嫌逃跑的士兵,亨利亦难以幸免,他侥幸逃脱了自己人的枪子,他决定找到凯瑟琳,两人逃离战场,去过他们与世无争的日子。然而,意大利警察的追捕紧随其后,两人踏上了逃亡的旅途。
Petch想摆脱杀手生涯,但逃离过去谈何容易?在爱情、忠诚与复仇之间挣扎,他被迫接下最后一单。每一枪响起,赌注都在升级。他的未来与自由,全系于最后一颗子弹。 “终极任务,致命一枪,无路可退。”
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.