三十六宫七十二院

0.5 播放:58万 更新:2026-04-27

80年代台湾古装电影 

播放通道

详细简介

80年代台湾古装电影 

同类推荐

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

咸鱼翻生

洪金宝,午马,麦嘉,石天,林正英,钟发,曾志伟,刘雅丽

  侠盗“一枝花”专劫富济贫故为人钦佩,却因正义感得罪了一名蛇蝎美人,该女子名叫“仇女”虽嫁与一土豪“孤寒财主”为妾但始终不忘被“一枝花”所辱,誓必要将“一枝花”置于死地。“一枝花”浪迹江湖,但“仇女”并未因而放过他,反而更诬造许多盗窃案令官方大举追缉之。其时江湖上出现两个小人物,一肥一瘦,肥名“胀爆”为人憨直,因仰慕“一枝花”而喜扮大侠,瘦名“扭纹柴”常自作聪明经常撞板,喜占小便宜,为了官方之花红到处找寻“一枝花”,而偶遇上“胀爆”后来反成莫逆之交,两人更结伴一同寻找“一枝花”……

魔镜咒

Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia

  恐怖和奇怪的事件困扰着玛雅和她家人的生活,她怀疑舅舅和舅妈是幕后黑手,因为他们一直想要获得玛雅家从外公那里继承的房子和土地。但是这种贪恋吸引了一股可怕的力量,这股力量的目标是玛雅全家。

(情歌)

森崎温,向井康二,及川光博,藤原大祐,齐藤京子,逢见亮太,筒井真理子,皮拉维·塔奇沙鹏,查隆拉·诺山荣,普雷瓦·苏坦蓬

被突然的任命令从东京派遣到海外工作的研究员·想太(森崎温 饰),在曼谷与学生时代一直暗恋的凯(向井康二 饰)再会。看到在泰国作为摄影师兼音乐人活跃的凯的身影,内心产生了动摇。另一方面,小凯也对学生时代唱过的“未完成的歌”感到惊讶。将两人联系在一起的歌声再次在心中响起……

门禁2025

梅歌林·艾奇坤沃克,莫·麦克雷,布兰登·费拉

A couple near the end of their marriage begin to encounter supernatural forces that cause them to fight for their lives.