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热门影视 大家都在看
基卡2025
玛侬·克拉维尔,Makita Samba,托马斯·库芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯纳德·布兰卡恩,Kadija Leclere,安纳尔·斯诺克,Thierry Hellin,埃洛迪·巴特尔斯把家虎
康琳浠,袁家骏,答有为,张原荣,王艺欢,赵鹏,王旭,梁栋,张婷,曹皓程,郭炫辰,杜俊峰,李凯武,蒋镇泽,蒋镇阳,岳建刚,杨恩全蓝宇
胡军,刘烨,苏瑾,李华彤,卢芳,张永宁,李爽,李滨,赵敏芬,张少华非礼勿视
Glen Jacobs,克雷格·霍纳,Michael J. Pagan弗拉维亚
马丁·弗瑞曼,乔纳森·普雷斯,托比·琼斯,莫莉·贝尔·赖特,安妮特·白兰特,汉娜·纽,杰米·比米什,迈克尔·卡尔金,阿丽埃拉·格拉泽,卡兰·吉尔,Tallulah Conabeare,玛拉马·科利特,皮埃尔·伯格曼,Max Cortezi,Arthur Heath,劳伦斯·拉塞尔,Zach Colton,Davide Scalcon,Liam Carrington,Gus Hudgins昭和残侠传 唐狮子牡丹
高仓健,三田佳子,池部良,津川雅彦同类推荐
惊声尖叫7
内芙·坎贝尔,伊莎贝尔·梅,柯特妮·考克斯,梅森·古丁,贾思敏·萨沃伊·布朗,大卫·阿奎特,马修·里沃德,斯科特·弗利,塞莱斯特·奥康纳,阿萨·格尔曼,麦肯娜·格瑞丝,萨姆·雷希纳,米歇尔·兰道夫,吉米·塔特罗,安娜·坎普,乔尔·麦克哈尔,马克·康苏斯,伊桑·恩布里,维克托·特平,Scott Allen Frederick,艾米·彭伯顿,Josh Thrower,Cyle Winters,罗格·杰克逊新的鬼脸杀手出现在Sidney Prescott（内芙·坎贝尔 饰）过着新生活的宁静小镇，她心底里最恐惧的事已在现实生活中发生，因为她的女儿（伊莎贝尔·梅 饰）成为了鬼脸杀手下一个目标。为了保护家人，Sidney必须再次面对她过去的恐怖经历，彻底结束无止境的血腥杀戮。
旅行者的需求
伊莎贝尔·于佩尔,李慧英,权海骁,赵允熙,河成国来自法国的旅行者伊丽丝在韩国担任法语家庭教师赚取生活费。语言的隔阂让她和学生之问的交流充满错位感，东亚文化中不善于思考和表达内心情感的“痼疾"又与渴望交流与开放的心态交织在一起，触发了只有异国旅行者才能感受到的特殊孤独与惆怅。被誉为韩国作者电影第一人的导演洪常秀继《在异 国》《克莱尔的相机》之后与法国国宝级女演员伊莎贝尔·于佩尔再度合作，用极简主义的拍摄手法呈现细致入微的人际关系精妙互动，斩获2024年第74届柏林国际电影节评审团银熊奖。
此时此地
蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奥,田边桃子,Lou Veloso,Buboy Villar,结城贵史职业拳击手神山英次在菲律宾试图东山再起，却始终未能获得比赛机会，转眼已至不惑之年。就在此时，长期失联的女儿桃子突然造访，命运的齿轮由此转动。失去母亲后无处可去的桃子，漂洋过海来投奔父亲。 异国菲律宾的屋檐下，这对父女开始了生涩的同居生活。血缘的羁绊难以轻易填补十余年的空白，两人笨拙地摸索着亲子关系的形状。 女儿身上总带着“另一个自己”的影子，这段充满磕绊却暗藏温情的日常，让曾经视野狭隘的神山逐渐学会环视周遭——塬来注视着他的，不止是桃子，还有更多人的目光…… 当比赛机会奇迹般降临，英次为赢得属于他们的容身之处毅然踏上擂台。这部以拳击为背景的作品，最终讲述的是关于“父”与“子”共同成长的生命物语。
退伍军官
亚尼·卡普尔,莫娜·辛格,拉狄卡·马丹,Aditya Rawal,沙鲁巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital曾经为国家而战的男人，如今必须对抗来自内部的敌人，才能守护自己的家园与家人。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster