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丹尼斯·奎德,章子怡,卢·泰勒·普奇,小克利夫顿·克林斯生还2025
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克拉斯·邦,西瑟·巴比特·科努德森,泽维尔·多兰,斯万·阿劳德,米歇尔·富,米沙·莱斯科特,让·迪·弗埃,伊拉莉亚·卡布拉斯,亚历山德罗·布雷萨内罗,塞德里克·阿皮耶托,维比约克·莫林·阿格尔,弗朗索瓦·雷森,奥利弗·马奎特,帕特里克·索贝尔曼,阿克尔·博萨,Jiang Hong Chen,纪尧姆·福雷斯蒂,塞西尔·杜克罗克,奥利维尔·加利安诺,本雅明·克莱里同类精选
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张玲,郑少秋,田丰,王侠凶间疑影
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陨石
保罗·基尔舍,伊迪尔·阿祖格利,萨利夫·西塞,斯特凡·里多,弗朗索瓦·佩彻,艾尔莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦莱特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin法国乡野荒原，米卡与丹怀揣梦想却厄运缠身。当丹再次搞砸一切，两人被迫投奔发迹的老友托尼——如今的包工头之王。困在混凝土牢笼中的他们，必须找到出路：逃离此地、摆脱麻烦、冲破生存困境。
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鬼影实录：东京之夜
中村苍,青山伦子位于东京的某区，山野一家三口过着富庶自在的生活。2010年9月3日，姐姐春花（青山伦子 饰）从美国归来，此前她在旅行中遭遇一场车祸，致令双腿严重骨折。弟弟幸一（中村苍 饰）是个开朗阳光的大男孩，他拿着新买的摄像机拍下了山野家生活的点点滴滴。由于父亲公务繁忙，平时只有姐弟二人在家。平静的日子并未持续太久，一丝不安便在屋子内肆意弥漫。春花发现，每当次日醒来床边的轮椅便会发生移动。为了探明真相，幸一决定在姐姐的卧房内安置摄像机，监控夜晚的情况。在屏幕前，不可思议的景象接连发生，姐弟俩似乎也陷入恶魔的诅咒中，无法逃脱…… 本片为恐怖片《鬼影实录》的日本版。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster