VN.002 Cheryl青树
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火葬2025
Van David,K Sinh,Ry SreyNet医生曾严禁丹妮怀孕，她却意外诞下双胞胎，命运的转折让母子三人接连离世。在柬埔寨传统火葬仪式筹备期间，殡葬师与僧侣按习俗处理后事，却接连遭遇毛骨悚然的怪事。停尸间的异响、诵经时的异常干扰、遗体旁的诡异痕迹不断出现，亡者的怨念在火葬场蔓延，原本肃穆的超度仪式，逐渐沦为被恐惧吞噬的死亡现场。
女孩不平凡
廖子妤,余香凝,邓涛,韩宁,许恩怡17岁的欣，身处去哪都不超过三十分钟的澳门。她的生活平凡，直到遇见学姐菲才开始思考自己是否可以过更多姿多彩的生活。22岁时，她在台湾就读新闻系，与女友晴同居，但毕业季的波澜让她陷入困境，无法决定未来。34岁的欣在香港打拼，试图摆脱“一片导演”的魔咒，亦面对来自适婚女友贝的压力。最终在贝的假结婚狂想中，欣领悟到做自己是最佳的生存之道。
寅次郎的故事14：寅次郎摇篮曲
渥美清,倍赏千惠子,十朱幸代,上条恒彦,春川真澄,月亭八方,前田吟,下条正巳,三崎千惠子,太宰久雄,笠智众,中村凖,佐藤蛾次郎《男人之苦》第14集，寅次郎（渥美清飾）未婚產子？背著BB回到了東京柴又老家？正當大家決定替寅把寶寶撫養成人之際，才得知這是寅在路上拾回來的棄嬰！寅不是生父，也當然不盡父職，終日百無聊賴，寶寶的事全拜託嬸嬸和妹妹阿櫻……直至美女護士京子（十朱幸代飾）的出現，他才積極表現父愛，還打算參加京子的工餘合唱團，以親近對方。誰知寅就在這兒遇上情敵！那滿面鬍鬚的窮光蛋指揮，原來才是京子的最愛！ The fourteenth instalment in the Tora-san series. Tora-san has an illegitimate child? To everyone is surprise, he brought a child back to Shibamata. When everyone in his family decides to raise the child as a family member, they find that he was only an abandoned child that Tora-san found on the street! At first, Tora-san has no interest in taking care of the child and he lets his auntie and sister, Sakura, to do the job instead... until he meets the beautiful nurse Kyoko (Toake Yukiyo). He tries all the ways he could, including taking good care of the child, in order to get her attention. However, a bearded poor conductor in Kyoko is choir stands in the way.
新邻里联防
乔纳·希尔,本·斯蒂勒,文斯·沃恩,理查德·艾欧阿德,罗丝玛丽·德薇特,李·厄米埃文（本·斯蒂勒 Ben Stiller 饰）是镇上的一个商店经理，对社区的事务也十分积极。然而商店保安却遭遇了意外谋杀，当地警察却无心追查，埃文的生活就此被打乱，他决心自己找出凶手。埃文将目光投向了邻里街坊，并与同样在生活中受挫的鲍勃（文斯·沃恩 Vince Vaughn 饰）、富兰克林（乔纳·希尔 Jonah Hill 饰）和贾马克思（理查德·艾欧阿德 Richard Ayoade 饰）四人组成了邻里联防组，每天在镇上巡逻，当然也借此理由偶尔放纵。在一次驾车巡逻时，他们意外地发现了一个奇怪的金属球，与此同时，镇上也出现了几起神秘死亡事件，联防组在被一只外来生物攻击时制服了它，得知外星人已经入侵小镇，并且通过偷窃人类皮囊来伪装成人，施展攻势。联防组方知行动已经迫在眉睫但却雾里看花，因为小镇上的任何一个人都可能是外星人，然而更可怕的是，外星人的最终目的竟然是毁灭整个地球。得知这一切的联防组能否凭四人之力粉碎外星人的阴谋呢……
Koko:红犬历险记
Koko,詹森·艾萨克,费利克斯·威廉森,萨拉·伍兹An ordinary dog, whose good fortune and ability to connect with people, catapults him to fame.
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment