公共性经纪人

　　卢迪（凯内尔·穆德卢佐 Kornél Mundruczó 饰）从小就成长在孤儿院中，他刚一出生就被父母无情的抛弃了，从来都没有感受过亲情的滋味。17岁时，对父母的思念在卢迪的内心里愈演愈烈，他决定动身去寻找他们的踪迹。但很快，残酷的现实就让卢迪知道，他的存在对于他的亲人们来说或许并非一件好事。　　一次偶然中，卢迪得到了一次试镜的机会。导演被卢迪身上所散发出来的阴郁气质深深的吸引了，认为他就是扮演自己电影里角色的不二人选。可是造化弄人，导演并不知道，眼前的这个年轻人，正是他早些年间抛弃的儿子。

　　北川恵海人气小说《不干了，我开除了黑心公司》电影化，成岛出执导，福士苍汰主演，工藤阿须加、黑木华、小池荣子、吉田纲太郎等在片中出演。讲述了青山隆在公司被压迫精神压力过大，但被朋友山本的活力感染又恢复了自信，但隆却得知真正山本三年前就自杀了……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

1930年代的阿尔及利亚，冷漠的法国人默尔索对生命彻底漠然。他的情感疏离最终导致一场谋杀，随后的审判不仅审视罪行，更拷问其灵魂。改编自加缪小说《局外人》。