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古剑奇谭之琴心剑魄
白澍,梁婧娴,姜震昊,黄羿,王景灏双瞳
梁家辉,刘若英,戴立忍,大卫·摩斯,杨贵媚,林涵,郎雄别怕，是我
凯拉·赞德尔冲动
芭儿·帕丽,亚历克西斯·克纳普,皮尔斯·布鲁斯南,阿什丽·格林尼,贾斯汀·查特文,丹尼·马斯特森,艾莉森·洛曼,克里斯·吉尔,詹姆斯·德贝罗,尼克·图恩,欧嘉·梅雷迪斯炼狱校园
贾瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul博格曼
扬·贝弗特,哈德维奇·米尼斯,杰罗恩·佩瑟瓦尔,亚历斯·冯·华麦丹,汤姆·德威斯布莱尔,莎拉·约尔特·蒂特莱芙瑟,安妮特·马尔赫毕同类推荐
猫小姐莫西
芭芭拉·萨拉菲安,Sarah Bannier,彼特·恩布雷希茨莫西小姐和她的猫朋友们看不起每个“与众不同”的人。有一天，她和她心爱的人类Joosje（8岁）和她的父母去了法国。女房东Rita非常想和她的狗Tuur一起赢得《动物达人秀》。她看到音乐剧《莫西小姐》，当家人需要回家时，她绑架了她。莫茜小姐逃跑了。在路上，她遇到了两个不太可能的旅行伙伴：Ayo，一只老燕子和Tuur。在他们的共同冒险中，莫西小姐意识到她的旧观点是错误的，她理解真正的友谊意味着什么。
卡萨诺瓦1976
唐纳德·萨瑟兰,蒂娜·奥蒙特,Cicely Browne,卡门·斯卡尔佩特,Clara Algranti,Daniela Gatti,玛格瑞斯·克里蒙地,奥林匹娅·卡尔立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼尔·埃米尔福克,Luigi Zerbinati,Hans van de Hoek,杜德里·沙顿,约翰·卡尔森,雷吉·纳尔德,芭芭拉·斯蒂尔,弗朗切斯科·德罗萨,Harold I意大利导演费德里克．费里尼的中期经典作《八部半》是其成熟高峰期作品，此后开始走向糜烂而至腐败，偏于肉欲放纵和自我沉溺，像《费里尼之萨蒂尼康》（六九年）和本片，都是糜烂颓废的出色力作。本片反映了十八世纪基督道德不振后的上流腐化放纵，费里尼尽情借题发挥，展现出精英文艺在人欲横流下的腐烂情态。大情人卡萨诺华是在情场屡战屡胜的“性斗士"，不断猎艳，还参加造爱竞赛。但这大情人苦于人人只重他的性爱能力，不重视他经世济民治国的才学。而且女人们对他都“有性无爱"，当他衰老得失去性魅力之后，就只能把一个机械女人当作梦中情人，很可悲可怜。
咒·丝
戴立忍,梁静,翟子陌,孔宋今,安琥,张瑶电台主持人卓镇涛（戴立忍 饰）极富才气，他主持的情感心理节目深受广大听众喜爱。他还有一个令人羡慕的家庭，妻子（梁静 饰）贤良持家，长女晓艺是T台的新星，儿子晓柏（翟文斌 饰）是有名的造型师，小女晓芊更是清新可人，伹随着妻子在水族馆的不幸遇害，这个美满的家庭发生了巨大变化。警方确认为他杀，而卓镇涛因忙于工作疏于家庭从而背上了很大的心理包袱。三个孩子为两任妻子所生，而两任妻子全都死于非命。晓艺把责任一鼓脑推给爸爸，虽说同父异母的孩孒们相处融洽，但作为心理专家的卓镇涛确实难辞其究。随着又一桩诡异事件的发生，真相即将浮出水面......
少女椿
中村里砂,风间俊介,森野美咲,武瑠,佐伯大地,深水元基,中谷彰宏,鸟居美雪,鸟肌实故事发生在繁华的大都市东京，十四岁的少女阿绿（中村里砂 饰）失去了唯一的亲人，孤苦无依的她在误打误撞之中走进了名为“赤猫座”的巡回马戏团中，就此拉开了悲惨人生的序幕。无处可去的阿绿在马戏团中受尽了众人的凌辱和折磨，沦为奴隶和佣人，日子过得苦不堪言，每一天都是地狱般的写照 。 就在阿绿快要绝望之时，侏儒魔术师出现在了马戏团中，出现在了她的眼前。侏儒魔术师的出现让快要倒闭的马戏团重现生机，他亦成为了马戏团中最重要的成员。与此同时，阿绿在魔术师的身上找到了久违的温暖和感情，两人决定结婚，双双逃离这充满了痛苦的魔窟。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.