敲敲门
小有名气的建筑师埃文·韦伯（基努·里维斯暂无内容Keanu暂无内容Reeves暂无内容饰）事业有成，生活美满。他住在洛杉矶一套亲手设计的别墅中，妻子凯伦（伊格纳西·阿尔曼德暂无内容Ignacia暂无内容Allamand暂无内容饰）美艳动人，一双儿女杰克（Dan暂无内容Baily暂无内容饰）和莉莎（Megan暂无内容Baily暂无内容饰）乖巧可爱。某个假日，凯伦驱车带着孩子们外出度假，留下埃文一人在家中工作。瓢泼大雨之夜，艾文突然听到了敲门声。来者是被淋成落汤鸡的女孩贝尔（安娜·德·阿玛斯暂无内容Ana暂无内容de暂无内容Armas暂无内容饰）和吉妮丝（洛伦扎·伊佐暂无内容Lorenza暂无内容Izzo暂无内容饰），他们迷失方向，请求埃文提供帮助。两个女孩就像善解人意又诱惑媚人的小妖精，让埃文多少有些把持不住。
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热门影视 大家都在看
牙仙历险记
波波·斯图尔特,杰琳·贝茨,拉金·贝尔百烛游戏2
Magui Bravi,Nacho Francavilla,Josefina Fariña匹配
土屋太凤,佐久间大介,金子统昭,真飞圣,后藤刚范,片山萌美,片冈礼子,杉本哲太,齐藤由贵多莉
法比娜·泰蕾兹,Russ Tiller,米夏琳娜·阿尔门多,Kate Cobb,伊桑·苏普利,西恩·威廉·斯科特,Max the Impaler围困2
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,Roman Gromadsky,Aleksei Presnetsov,米哈伊尔·乌里扬诺夫,丹尼尔·萨加尔,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛图欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir无法在你的脸上哭泣
芳根京子,高桥海人,西川爱莉,武市尚士,中泽元纪,前原滉,林裕太,大塚宁宁,赤堀雅秋,片冈礼子,山中崇同类推荐
上海快车
玛琳·黛德丽,克里夫·布洛克,黄柳霜,华纳·欧兰德,尤金·佩里特,劳伦斯·格兰特,Louise Closser Hale,古斯塔夫·冯·赛费蒂茨,埃米尔·肖塔尔,George Blagoi,李奥纳多·凯瑞,George Chung,Wong Chung,Jack Deery,赫伯特·埃文斯,冯威利,福里斯特·哈维,Claude King,James B. Leong,Miki Morita,黄自强故事发生在一列行驶在中国大地的火车上，背景是中国内战时期。黛德丽扮演“上海莉莉”，从事茶花女式的职业。她在列车上跟旧情人邂逅，由此引发出一些故事。对于这位她一直念念不忘的英国军官，她百般示好挑逗，他却妒恨交加，不肯重拾旧爱。在半途被军阀拦检时，他为了阻止军阀对她动手动脚，出手打人；她则为了救他，同意委身军阀。往上海的路上，对生命跟爱情，都是一场严酷的考验。
看护中
李裕英,芮秀贞,廉惠兰,尹敬浩晴仁（李裕英饰）的母亲十年前成为了植物人，长时间独自照顾、看护母亲让她身心俱疲。代号为“看护中”（李裕英饰）的护工机器人不仅帮助晴仁照顾母亲，也成为了悉心照料自己的好帮手。然而，看似只听人类指挥的机器人却产生了自己的苦恼，它认为：“只有一人死去，另一人才能活”…… 《看护中》曾是科幻系列电视剧《SF8》中的一部，在播映后获得空前关注，于是决定正式在院线上映。
我的宝贝2
梅拉达·素斯丽,苏提拉克·素维杰拉,查卢彭·提坤朋提拉翁,Tatchaya Supatanyasatit,Fon Tanasoontorn,Krisana Panpeng见证乔和阿农之间的深厚纽带，这种纽带在许多世和转世中都是持久的。
判决2025
里罗·得万托,礼萨·拉哈迪安Raka, a court security officer, and his pregnant wife, Nina, celebrate her success in passing the bar exam. While they have a rare evening of fine dining to savor the moment, their joyous celebration is shattered when Nina is found brutally murdered. The investigation quickly identifies Dika as the prime suspect, leading to his swift arrest. However, with the support of a shrewd and manipulative lawyer, Timo, the trial takes an unexpected turn that Raka could never have anticipated. As the trial spirals towards an unjust outcome, Raka resolves to overturn the corrupt verdict and seek justice for his late wife.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.