铁玫瑰

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　摄影师工藤太郎在坐飞机的途中发现一架太空囊坠入大海，那正是4个月前离奇失踪的无人木星探测器赫利俄斯7号。回国后的工藤接到陪同开发公司调查队前往塞吉欧岛的工作，而塞吉欧岛正位于赫利俄斯7号坠落地点的附近……　　另一方面，塞吉欧岛突然出现巨大的怪兽，这一切似乎和赫利俄斯7号有关……

对于16岁的女孩Jung-hee来说，一年中最困难的一天是她祖母的阵亡将士纪念日。郑熙通常很难和酗酒的母亲相处，但在这一天，她大喊大叫的祖父的妹妹来了。她每年都会责骂正熙的母亲和叔叔，问她为什么为自杀的祖母做追悼会，而不考虑找到离家出走的祖父。自从他的祖父在正熙出生的那天失踪后，正熙不知怎么地觉得这是她的错。所以Jung-hee决定去冒险，在那里她可以解开所有的秘密，结束她母亲的青春期。

　　A coming-of-age story of a girl who experience life through misadventures & dating apps.