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洪金宝,钟镇涛,王祖贤,梁珊,曹查理,陈友在一家珠宝贸易公司工作的肥丁(洪金宝)因是胖仔外加做人老实,常被老板娘周太(梁珊)和其弟(曹查理)骑在头上,重活脏活全要揽下不说,工作稍微出点错就会被骂得狗血淋头。一日,他和在货运部工作的同事阿B(钟镇涛)一起按老板吩咐送钻石给中东酋长,之后将所收钱款送往银行的途中遭劫,周太和其弟不问青红诬告两人与劫匪是同伙。 越想越来气的肥丁决定绑架周太以泄压抑已久的怒火。在他准备行动之时,周家刚从美国归来的女儿祖儿(王祖贤)正同后母周太发生激烈的争吵,结果阴差阳错祖儿被他绑架,之后又被阿B绑至家中。肥丁在阿B的逼迫下无奈向周家索要赎金,一时笑料百出。
中国桥
马跃国有大型企业--北方桥梁厂在市场经济激烈的角逐中,固执地排斥游戏规则,最终被西南桥梁厂击败。北方厂项目负责人谢工,写下遗书,服药自尽。六个月没发工资的工人们包围了厂办公大楼。铁道部调现任西南厂厂长辛铁安"回"北方厂担任厂长。此时,与北方厂有着千丝万缕的"血缘"关系的辛铁 安恰恰正在北方厂探亲。在柔情和事业的包围中,在工人愤怒的围攻中,共产党员辛铁安的斗志被激发了。他发誓要把这条大船,带进市场经济的航道。辛铁安去探视从抢救中苏醒过来的谢工,他以男人和男人之间的对话,唤醒了一个对旧体制绝望,而对前途十分茫然的知识分子的心。厂里的改革会议,摆出了许许多多难以解决的困难。他首先带领人们走出困境思维,然后对机构进行彻底的改革,人们带着半信半疑的态度,开始卷入一场求生存的风暴中。谢工来到会场,提出重新参加市场投标。辛铁安以敏锐的嗅觉,闻到大战来临的味道。他知道这是一次机会,把全厂的力量凝聚在一起,奋力冲杀,把北方厂从计划经济的模式中彻底带入市场经济的轨道。他和谢工大胆地把目光放在最大的"蛋糕"--公路桥建设上。从而结束北方厂107年只造铁路桥,不造公路桥的历史。一场残酷的竞争,在北方厂、西南厂之间展开。这两个有着"父子"般关系的厂,有着扯不断理还乱的亲情关系人际网。竞争显得愈发残酷,愈发无情。几经较量,北方厂在17家竞争单位里脱颖而出,夺得了号称亚洲最大的单塔斜拉公路桥的建筑权。两个厂在加入WTO后,强强联手,共同到国际上去参加新的桥梁建设投标。这不是一个梦想,中国的大型国有企业正在这座通向世界的大桥上奋力拼搏。《中国桥》荣获第三届电视电影百合奖一等奖和最佳编剧奖。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蹂躏
布鲁斯·邓恩,安娜贝尔·德克斯特-琼斯,埃里克·尼尔森,罗伯特·朗斯特里特,Joshua Brady,罗斯·帕特里奇,Chris Pinkalla,Drake Shannon,迈克尔·韦弗When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.