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四重唱
玛吉·史密斯,汤姆·康特奈,比利·康诺利,保利娜·科林斯,迈克尔·刚本,谢里丹·史密斯,安德鲁·萨克斯,格温妮丝·琼斯,特雷弗·皮科克,大卫·莱尔,迈克尔·伯恩,罗尼·福克斯,帕特里夏·洛夫兰德,伊琳·珀威尔,卢克·纽伯里再会亡灵
雷娜特·赖因斯夫,安德斯·丹尼尔森·李,巴哈·帕斯,比约恩·桑德奎斯特,扬·海恩凯维奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen自由万岁
华莱士·比里,里奥·卡利罗,菲伊·雷脆弱的男人
亚辛·侯伊卡,欧莱雅·阿玛拉,拉斐尔·奎纳德,Bilel Chegrani,迪翁-克巴·塔库,蒂法因·戴维斯,霍莉·法特玛,吉列尔莫·吉兹,萨米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾玛·贝内斯坦,Aurélien Marra,塔萨迪特·曼迪,Atmen Kelif作恶者
Melanie Liburd,Kiah McKirnan,Ireon RoachChaO，我代表人类跟人鱼结婚了
铃鹿央士,山田杏奈,山里亮太,宍户佑名,梅原裕一郎,三宅健太,太田駿静,土屋安娜,川岛邦裕影视排行
我的朋友安德烈
刘昊然,董子健,殷桃,韩昊霖,迟兴楷,董宝石,宁理,雷佳音,章若楠,张宥浩,薛宝鹤性格迥异的李默（刘昊然 饰）与安德烈（董子健 饰）因为足球成为知己，而一场意外却让安德烈跟随年少往事一起消失在了李默的记忆中。多年后，李默在为父亲奔丧路上与安德烈“重逢”，一段尘封的回忆被逐渐揭开…… 电影改编自双雪涛的同名小说《我的朋友安德烈》。
阿尔及尔之战
卜拉欣·哈贾季,让·马丹,Yacef Saadi,Samia Kerbash,Ugo Paletti,Fouzia El Kader,Mohamed Ben Kassen一九五四年十月一日，以法属阿尔及利亚首都阿尔及尔的卡斯巴为中心，爆发了阿尔及利亚人反抗运动，这是由于阿拉伯人憎恨法国人长期统治而引起的。人们四处搞破坏，法国政府发觉事态严重，便于一九五七年十月七日，派马丘将军率领四十万大军驻于斯拉姆地区。但是暴乱仍层出不穷，法国人的镇压行动开始升级。
恶鬼病毒
村重杏奈,太田将熙,桑山隆太,华村飞鸟,吉田伶香,角由纪子,鸟之海凪纱,田中要次改编自二宫敦人的超人气恐怖小说《恶鬼病毒》，讲述YouTuber内川智樹带着他的朋友日名子、颯太和奈々枝来到传闻中有着神秘失踪事件的旧石尾村拍摄一段调查都市传说的视频。几天后，警方在村外的一条隧道附近发现了四人租用的汽车，而在现场发现的一台摄像机则记录下了令人震惊的画面。紧锁的房屋、身着武装制服的儿童、被关起来的成年人，以及在新月之夜发病的成年人......这个村子里究竟发生了什么？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.