身体的灵犀
Ulderico Quario雇用仆人一个非常漂亮的年轻女人：AKAS Tirisin。 Ulderico决定继续像一个新的皮格马利翁。他教她的艺术诱惑。但是邓丽君一起与Cecchina开始使用新的技能，以迫使Ulderico娶她，后来得到他所有的继承。但是，没有人能勾引的命运。
即刻观影
剧情赏析
编辑推荐
杀戮元凶：狙击手
拉斯·米克尔森,雅各布·克德格恩,劳拉·巴赫,拉克·温特·安德森,佛雷克·米德·诺高,拉斯·兰特,Peter PilegaardKatrine Ries Jensen警探和法律神经病专家托马斯·谢弗正在哥本哈根警局组建了一个连环杀人案调查小组。随着调查的深入，慢慢隐现了一个与谢弗过去处理过的一个案子有关。作为初出茅庐的神经病专家，他曾经送回一个病人去往精神病医院，因为他能把一个交通事变的细节绘声绘色的描绘出来。现在这些血腥的描绘一个个闪现出来，翻开了一个个真正在的命案……
旺姆的夏天
旺卓措,久巴,卓杰泽仁,泽王拉姆,落周求吉尼玛该片根据编剧的童年经历进行创作。影片讲述女主旺姆在丈夫离世之后，秉持着传统，为了丈夫来世不需背负生前的债务，而接手丈夫生前巨额的债务替他还债，从而一步一步被生活逼到绝境的故事。
牯岭街少年杀人事件
张震,杨静怡,张国柱,王启赞,林鸿铭,金燕玲,王琄,张翰,姜秀琼,赖梵耘,柯宇纶,谭志刚,冯国强,陈湘琪,金士杰结识小明（杨静怡）前，小四（张震）是典型的乖仔，是父母的希望和兄妹的骄傲（一家人指望他考上名牌大学将来提升全家的社会地位），他有一个喜欢摇滚乐的自称“小猫王（王启赞）”的好友，两人虽会去树林看人幽会，但过的是与周围诸多在“小公园”混的少年人完全两样的生活。 喜欢上小明后 ，小四便像跌进一个无底深渊，开始被外界的各种力量牵着鼻子走。新识仰慕对象honey（林鸿铭）意外身亡，一向敬重的父亲的自尊与精神因为某次事件严重受损，加上将一次次“欺骗玩弄”他感情的小明“看透”，血气方刚又有很强道德感的小四终于走上犯罪的道路，期望用自己的刀结束事件的根源。但小四不知的是，他眼中的根源只是这条食物链中微不足道的一环。
陷入麻烦的女孩
Columbus Short,Wilmer Valderrama,Alicja BachledaA Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
僧侣
文森特·卡塞尔,黛博拉·弗朗索瓦,约瑟芬·约比,塞尔希·洛佩斯,凯瑟琳·蒙切特,乔迪·道德尔,杰拉丁·卓别林,罗珊妮·杜兰,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞尔日·费拉德,恩斯特·吴默埃,Jean-Francois Vendroux,让-克洛德·杜芬阿姆布罗瑟（文森特·卡索 Vincent Cassel 饰）是一名非常虔诚的修道士，早就发誓将自己的身体和心里全权交由上帝管理。苛刻而又严格的他对教义有着自己独特的理解，他觉得世人每一日都在玷污上帝的存在。玛蒂娜非常的崇拜阿姆布罗瑟，她的顺从和服从激发了阿姆布罗瑟潜藏在心底的兽欲，欲望一旦被激发，就无法收拾，阿姆布罗瑟一步一步向着深渊走去。 安东尼娅（约瑟芬·约比 Joséphine Japy 饰）是常常前往修道院为自己的母亲祷告的女孩，她的纯洁吸引了阿姆布罗斯的注意，后者为了能够占有她的身体，不惜设计将她的母亲杀死。最终，阿姆布罗瑟的种种罪行被一个贵族青年给发现了。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.