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宠宠特快
开棺2025
陈可如,光俊终极囚禁
Jascha Washington,Whitney Hoy,Marc Donato,Justin Arnold,Travis Tedford,Julin,Lindsay Seidel,Mark Nutter,Hunter Garner,Eric Isenhower,Preston Flagg,Matthew Posey,Laura Ashley Samuels,Vincent Silochan,Farah White,Daniel Ross,Ryan Hayden,Morgana Shaw作恶者
Melanie Liburd,Kiah McKirnan,Ireon Roach好孩子2025
许瑞奇,周智慧,洪慧芳,路斯明,吴清樑,刘怡伶另一个地球
威廉·麦鲍瑟,布里特·马灵,马修-李·埃尔巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,鲁伯特·雷德同类推荐
断魂小丑3
杰森·帕特里克,丹尼尔·洛巴克,大卫·霍华德·桑顿,劳伦·拉维拉,拜斯·约翰逊,布拉德利·斯泰克尔,克里斯·杰里科,萨曼莎·斯卡菲迪,玛格丽特·安妮·佛罗伦斯,埃利奥特·富勒姆,亚历克萨·布莱尔·罗伯逊,Antonella Rose,克里斯·福克斯,夏洛特·麦基,西耶娜·休伯特-罗斯,奇普·卡里尔,卢西亚娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·莱德曼在经历了小丑阿特的万圣节大屠杀后，西耶娜和她的兄弟正在努力重建他们破碎的生活。随着节日的临近，他们试图拥抱圣诞精神，把过去的恐怖抛在脑后。但就在他们以为自己安全的时候，小丑阿特回来了，决心把他们的节日欢乐变成一场新的噩梦。随着阿特释放出他扭曲的恐怖，节日很快就结束了，证明没有一个节日是安全的。
比佛利拜金狗
派珀·佩拉博,马诺洛·卡多纳,杰米·李·柯蒂斯,何塞·马利亚·亚兹皮克,莫瑞·史特林,杰苏斯·欧乔阿,德鲁·巴里摩尔,安迪·加西亚,乔治·洛佩兹克洛伊（德鲁·巴里摩尔 Drew Barrymore 配音）是比佛利山的一只吉娃娃狗，被宠坏了的它生活极其奢侈。主人薇薇姑妈（杰米·李·柯蒂斯 Jamie Lee Curtis 饰）要出远门，把照顾克洛伊的任务交给了安吉拉（爱莉·希尔斯 Ali Hillis 饰）。安吉拉带着克洛伊和朋友们一起去墨西哥的海滩旅行。来到海滩， 姑娘们立即被健硕英俊的小伙子们吸引了，而克洛伊则在安吉拉的“重色轻狗”下，走失于硕大的墨西哥城中。那些简陋的街道看起来跟比佛利山大相径庭。无奈之下，克洛伊只得求助于一些新朋友，包括一只经历复杂的德国牧羊犬戴戈多（安迪·加西亚 Andy Garcia 饰），和一只多情的小狗帕皮（乔治·洛佩兹 George Lopez 饰），克洛伊在它们的帮助下，振作精神找寻回家的路......
疯狂特警队
丹尼·伯恩,爱丽丝·波尔,米歇尔·布朗,伊万·阿达勒,萨宾·阿泽玛,帕特里克·米勒,弗朗西斯·利范德,安·玛丽文,弗洛亨特·皮耶,阿兰·杜泰,于尔班·康塞利埃,弗朗索瓦·温琴泰利特警队教官欧仁近来诸事不顺，而偏偏警队又突然空降了一个培训生乔汉娜，这个一心想成为法国特警队第一位女警官的培训生就像一颗定时炸弹，她给特警队惹了千奇百怪、层出不穷的麻烦，但每次都歪打正着，和队友一起出色完成各类高难度任务……
复仇天使
弗朗西斯卡·伊斯特伍德,小克利夫顿·克林斯,迈克·韦尔奇,莉亚·麦肯德里克,彼得·瓦克,安德鲁·卡德威尔,大卫·苏利文,亚当·拉扎尔-怀特,戴维·哈,迈克·C·曼宁,马龙·杨故事讲述艺术系女生诺丽遭到同学性侵后，决定正面PK性侵者、展开还击计划。影片今秋北美上映。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.