美女牧场
苏珊薜道曼执导本作换电缆喜剧戏曲有关的一组在内华达州里诺市;工作的女孩的生活了几天。;牧场是一个合法经营的妓院，工作细心观察的状态卫生督察（谁坚持每周一次的健康检查）和玛丽的半仁慈领导（艾米马迪根），经理。而对员工的妇女没有回避法律像他们的同志在别处，这并不意味着他们没有自己的问题，因为妈妈忙里忙外的父母与世界上最古老的职业，有些妓女的斗争，以保持他们的工作从自己的男朋友，和其他人的秘密试图逃跑，让他们进入内华达州的过去的错误。最初创建作为试点，为可能的连接线系列，该牧场被发布了R级和;完整无缺版本;配角包括萨曼莎摩天，杰西卡柯林斯，佩奇Moss和尼基Micheaux。
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剧情提要
苏珊薜道曼执导本作换电缆喜剧戏曲有关的一组在内华达州里诺市;工作的女孩的生活了几天。;牧场是一个合法经营的妓院，工作细心观察的状态卫生督察（谁坚持每周一次的健康检查）和玛丽的半仁慈领导（艾米马迪根），经理。而对员工的妇女没有回避法律像他们的同志在别处，这并不意味着他们没有自己的问题，因为妈妈忙里忙外的父母与世界上最古老的职业，有些妓女的斗争，以保持他们的工作从自己的男朋友，和其他人的秘密试图逃跑，让他们进入内华达州的过去的错误。最初创建作为试点，为可能的连接线系列，该牧场被发布了R级和;完整无缺版本;配角包括萨曼莎摩天，杰西卡柯林斯，佩奇Moss和尼基Micheaux。
暗夜精选
最美的岛屿
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贾法尔·杰克逊,尼娅·朗,劳拉·哈里尔,朱利亚诺·瓦尔迪,迈尔斯·特勒,科尔曼·多明戈,乔·吉列特,卡特琳娜·格兰厄姆,拉伦兹·泰特,德里克·卢克,杰西卡·苏拉,汉克·诺思罗普,肯德里克·桑普森,约瑟夫·戴维-琼斯,内森尼尔·洛根·麦金太尔,凯林·多瑞尔·琼斯,迈卡·麦克尼尔,莫妮克·林赛,奥利维娅·塔卡格什,凯蒂·凯黑仙女
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艾梅拉·勒维卫兵的呐喊
米娅·麦肯纳·布鲁斯,马特·狄龙,伊萨赫·德·班克尔僵尸参将2
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塞西尔·德·弗朗斯,麦温,菲利普·纳翁,弗兰克·卡方,安德烈·芬蒂,瓦娜·佩利亚,Marco Claudiu Pascu,Jean-Claude de Goros,Bogdan Uritescu,加布里埃尔·斯巴修鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke总统拍档
杰克·莱蒙,詹姆斯·加纳,丹·艾克罗伊德ST红与白的搜查档案电影版
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X谁嫁谁噶了谁
当真实犯罪迷伊娃-沃（露西·海尔 Lucy Hale 饰）在她 30 岁生日那天被她的好朋友们推到约会应用程序的世界里时，她突然发现自己处于一桩真实谋杀案的中心。 随着她最喜欢的播客揭露了谋杀案的新细节，她意识到与她约会的三个男人中，有一个可能就是肆虐全城、臭名昭著的 "向右滑动杀手"！ 现在，伊娃和她的朋友们要做的，就是在这部精彩绝伦的喜剧惊悚片中，搞清楚哪一个约会对象是同性恋、潜在的丈夫或杀手。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.