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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
格斗家
周小伟小说作家阿贞与拳王父亲从小存在隔阂，父亲离世后，她通过格斗竞技探寻真相，逐渐理解父亲并完成自我蜕变。影片围绕父爱与亲情展开，男主角虽格斗天资一般，仍不懈追寻梦想。剧情融合文与武转换、善与恶抉择，最终阿贞为父正名，成为真正的格斗家 。
姽婳
闫鹿杨,姜文轩,赵婉娇,李铁军,刘希媛,宋国鑫,颜冠英,于飞,于洛熙知名画家创作的最后一幅作品“恶灵画像”后离奇死亡了，女设计师张琳和同伴早就听说过“恶灵画像”具有诅咒的传说----见者必死。强烈的猎奇心理驱使貌美性感的张琳走向了寻找“恶灵画像”的路上，在寻找的过程中不断遭遇了一系列灵异、诡异事件……身边同伴不断失踪、离奇死亡...... 张琳是否能在探秘的过程中活下来… 是否能够找到“恶灵画像”. 真相逐步揭开。
泥娃娃
杨祐宁,蔡思韵,张轩睿,周采诗,郭雪芙,陈为民,李冠毅,高山峰,黄建群泥娃娃，泥娃娃，一個泥娃娃⋯⋯ 童謠的背後，隱藏著神秘驚悚的故事。在遊戲公司工作的旭川（楊祐寧 飾），為開發一項新的恐怖VR遊戲，意外將一尊來自凶宅現場的殘破泥娃娃帶回家，沒想到懷有身孕、身為文物修護師的妻子慕華（蔡思韵 飾）對其產生異常執念，不斷進行修復。隨著家中怪事頻傳，慕華狀態也越來越虛弱，旭川無計可施，輾轉求助通靈驅魔人阿生（張軒睿 飾），而泥娃娃背後深埋的駭人祕密，也隨之浮出水面⋯⋯
鬼屋脱身
Jaclyn Betham,丝柯·泰勒-考普顿,兰德里·阿尔伯特,莱恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel一个年轻女子被一个背木邪教绑架和她的报复。
外星+人
柳俊烈,金宇彬,金泰梨,苏志燮,廉晶雅,赵祐镇,金义城,李荷妮,申正根,李时勋该片讲述了道士们争夺传闻中神剑的高丽末期和外星人出没的2022年之间的时光之门被打开后，引发的异想天开的故事。