VN.020-慕羽茜

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木匠之子

尼古拉斯·凯奇,诺亚·尤佩,小枝女孩,伊斯拉·约翰斯顿,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕丽朵,马诺利斯·马诺里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila

  罗马帝国统治下的埃及,一个家庭为躲避追杀而隐秘生活。家中年轻的儿子(被称为“男孩”)开始对自己的监护人(被称为“木匠”)的身份和教诲产生深深的怀疑。  男孩体内沉睡着某种神秘而强大的超自然力量。随着他的成长与反叛,这股力量开始觉醒并失控。每当他动用一次能力,就会打破现实的脆弱平衡,招致更可怕的反噬——他们不仅要面对罗马士兵的世俗威胁,更要遭遇因亵渎神明而引发的、超越自然规律的恐怖现象:尼罗河水逆流、沙暴中浮现古老邪灵、瘟疫以超自然的方式蔓延……  这个家庭被迫在双重恐惧的夹缝中求生:一边是外部世界的追捕,另一边是来自男孩自身力量的、逐渐失控的神性(或魔性)灾难。

大卫2025

菲尔·威肯 ,阿西姆·乔杜里,米克·温格特,阿什利·博彻,马克·惠顿,布伦特·穆卡伊,Brandon Engman,Kamran Nikhad,Reina Ozbay,Will de Renzy-Martin,亚当·迈克尔·戈尔德,亚当·梅尔,Lauren Daigle,Mark Jacobson,凯蒂·伯恩斯坦,Brian Stivale,Sloan Muldown,马克·西尔弗曼,Mike Ciporkin,Dorah Fine,沙哈尔·塔沃赫

从他母亲的歌声到他与歌利亚的冲突,大卫从卑微的牧羊人到受膏的国王的旅程考验了信仰、勇气和爱的极限,最终在一场争夺王国灵魂的战斗中达到高潮。

奇幻西游:新世界

许光汉,刘冠廷,庾澄庆,邵雨薇,庹宗华,钟欣凌,魏如萱,许展荣,许展瑞

  未来世界,科技与数据主宰一切,当旧城区变得又老又挤,以最新科技打造的新世界,成为人人向往的移居地,然而唯有贡献值最高的菁英,才有资格入住。八戒(许光汉 配音)又懒又自私当然失格,但他为了让奶奶(钟欣凌 配音)过好日子,决定违背良心,与建商总裁牛魔王(庹宗华 配音)私下交易……  影片将《西游记》搬到科幻场景,八戒化身赛博胖客,与理工男三藏(刘冠廷 配音)、火爆护卫悟空(庾澄庆 配音)、女机器人小净(邵雨薇 配音),穿梭新旧混杂市景,探索幸福真谛。

公寓2024

斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.