Girls Entertainment BWH vol.28 藤田あいな
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单程夜航
克拉克·肖特韦尔,凯莉·埃维斯顿-奎内特,艾拉·布勒·特拉沃塔,奥尔加·霍夫曼,约翰·特拉沃尔塔,凯莉·B·埃维斯顿,Miles McMahon,Samuel P. Espinoza锋利的棍子
詹妮弗·杰森·李,乔·博恩瑟,泰勒·佩姬,斯科特·斯比德曼,莉娜·邓纳姆,克里斯汀·弗劳赛斯,Lisa Costanza,Patrick McLain少林英雄1980
狄龙,李修贤,施思,午马西楚霸王
吕良伟,张丰毅,巩俐,关之琳,刘洵,吴兴国,徐锦江,陈松勇,关海山,杜少津,顾宝明,张世,叶全真,金士杰,徐向东兔子陷阱
戴夫·帕特尔,罗西·麦克尤恩,杰德·柯罗特,Nicholas Sampson雨和闪电的气息
麦卡·梦露,玛姬·格蕾斯,布拉德·卡特导演精选
死在那年夏天
乔伊是学校里公认的校花,她拥有着美丽的面孔和优越的身世,毫无疑问每日生活在幸福之中。然而某一日,这位集万千宠爱于一身的可爱姑娘却在社交网络上留下了“我想死”的绝望信息。阿信是乔伊的男友,两人之间感情十分要好,看到女友闷闷不乐的样子,阿信决定同好友阿敢一起,带着乔伊和她的闺蜜小敏前往海边度假。 众人本以为,这会是一场充满了疯狂和欢乐的旅程,然而,乔伊的惨死却为这场派对蒙上了惊悚恐怖的阴影。余下的三人受到了不小的惊吓,他们决定隐瞒整个死亡事件,希望生活能够就此回归平静。不过显现,乔伊的冤魂并不愿意放过他们。
小鬼大哥大
大陆客,两大一小三糊涂,出海打天下,失去了方向,来到了台湾,此时李师哥、郑师弟和毛弟三人卷入一场绑架勒索中,糟糕的是,他们居人绑了坏人;原来在此地的国际训练营中,东洋女童圣子,参加暑训,而他父亲熊谷一郎是医药技师,可以提炼安非他命,於是龙老大派手下绑架圣子,迫使就范。碰巧李诗哥级郑师弟打算绑架致富,见龙老大手下华车美服,误认为金主,访而将坏人绑入黑帮。立一方面,毛弟认识了训练营的小朋友,得知师姐被绑,大家决定以本身所学救出圣子…
嗨,妈妈!
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment