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月影杀痕
波伊德·霍布鲁克,克利欧佩特拉·科尔曼,博基姆·伍德拜因,迈克尔·C·豪尔,鲁迪·达马林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代尔,瑞秋·凯勒,Ryan Allen,托尼·纳波,Philippa Domville,托尼·克雷格,加布里埃尔·格雷厄姆,Julia Knope,默里·弗罗,大卫·麦金尼斯,德尔菲娜·鲁塞尔,胡安·卡洛斯·韦利斯,泰德·麦克马洪,爱德华·伦德尔,妮卡·埃利奥特1988 年，心怀侦探梦想的费城警官托马斯·洛克哈特（波伊德·霍布鲁克饰演）开始追踪一名连环杀手，此人每隔 9 年就神秘地出现一次。但是当杀手的罪行开始违背所有的科学解释时，洛克对真相的痴迷可能会毁掉他的事业、家庭，甚至是他的心智。《月影杀痕》是一部混合题材的心理惊悚片，探讨了时间的力量，以及时间的流逝如何使我们相聚又分开。该片由吉姆·米可执导，其他主演包括迈克尔·C·豪尔和克利欧佩特拉·科尔曼。
百烛游戏
Magui Bravi,Luz Champané,Amparo Espinola,克拉拉·科瓦西奇,Agustin Olcese,Amy Smart,James WrightA group of friends must confront their fears in a terrifying game.
黑心鬼
陈友,梅艳芳,午马,叶德娴,莫少聪黑心鬼（午马 饰）原是百年前的善长人翁，好事做尽，却令田地善恶不平衡，故被罚在阳间害九名贪心之人后方可投胎；陈康泰（陈友 饰）误放出尿壶中的黑心鬼，被赠予三个愿望，试验其是否贪心之人。康泰之弟星辰（莫少聪 饰）替兄顶罪而被解雇，寄居兄长家中，被恶嫂梅赛花（梅艳芳 饰）逼做男佣，因而邂逅女鬼梅兰花（梅艳芳 饰），另一方面，黑心鬼限期将至，决定完成康泰最后愿望后便取其性命，康泰能否度过此劫……
毛骨悚然撞鬼经 2022夏季特别篇
稻垣吾郎,神尾枫珠,山下美月,小野花梨,佐佐木明希,铃木优华,岩田刚典,梶原善,大友花恋,田中美佐子,千原靖史,高城蕾妮,百田夏菜子,玉井诗织,佐佐木彩夏
非礼勿视
Glen Jacobs,克雷格·霍纳,Michael J. Pagan八个感化院的青年在两名警官的监督下，前往乡间一所破败的客栈中接受社区服务，但是他们的到来却无意中惊醒一个沉寂已久的恶魔。雅克布•古德奈特 饰（Glen Jacobs 格兰“凯恩”雅克布 饰），身高七英尺，体重四百磅，头骨里嵌着一个生锈的铁盘，锋利的指甲足够戳穿对手眼睛的精神病患者。 雅克布四年前曾被警官弗兰克•威廉姆斯（Steven Vidler 饰）枪击头部，却侥幸逃生。如今弗兰克正是这群青年的督导员。弗兰克和孩子们的出现激起了雅克布屠杀的欲望，他举起巨斧，将客栈变作血腥的屠宰场……
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster