即刻观影
剧情赏析
编辑推荐
困在时间里的父亲
安东尼·霍普金斯,奥利维娅·科尔曼,马克·加蒂斯,奥莉维亚·威廉姆斯,伊莫琴·普茨,卢夫斯·塞维尔,阿耶莎·达尔克,罗曼·泽勒,雷·伯内特,阿德南·昆迪,斯科特·穆林斯,布赖恩·罗杰,艾薇·维影片以重复加碎片式的感官叙事手法，讲述了年迈且身患疾病的安东尼（安东尼·霍普金斯 Anthony Hopkins 饰）正在面临一项艰难的人生选择——是搬到养老院还是接受女儿寻找的新护工。在这个过程中，安东尼发现自己仿佛进入了一场奇怪的时空之旅，错乱的记忆和时间线交织出一段段匪夷所思的故事，而一个个陌生又熟悉的人也让他陷入迷茫。影片根据法国小说家兼剧作家佛罗莱恩·泽勒的舞台剧《父亲》改编。
金刚的逆袭
宝田明,罗兹·利森,滨美枝,琳达·米勒,天本英世60年代的日本人似乎对这个大黑猩猩情有独钟，在玩遍了各种哥斯拉的故事之后，依然将金刚的神奇遭遇不停地向人们展示、炫耀。光看他的故事就能让人吓一跳：科学家制造出了一个机械金刚，用来在北极挖掘神秘的X元素，与此同时邪恶的博士绑架了真正的金刚，令其干同样的活，因此，机械金刚与原形之间的连番恶斗就在所难免了。
红色之州
迈克尔·帕克斯,梅丽莎·里奥,约翰·古德曼,迈克尔·安格拉诺,凯尔·加尔纳在一个平凡的美国小镇，同性恋男孩被人杀害，他的死却引起了广泛争议。自称代表上帝的牧师艾宾·库伯（麦克·帕克斯 Michael Parks 饰）带领信众游行示威，控诉着世间各种丑态与罪行。另一边，高中生特拉维斯（Michael Angarano 饰）、贾罗德（Kyle Gallner 饰）、比利-雷（Nicholas Braun 饰）却相约夜晚出行，寻找属于青春时代的放浪与刺激。谁知渴望狩猎的少年，反倒成了他人的猎物。他们落入库伯及其信众的陷阱，随时都会失去生命。 另一方面，美国枪支管理局的特工约瑟夫·吉南（约翰·古德曼 John Goodman 饰）逐渐掌握库伯囤积枪支的证据，一场无关正义与道德缺失的攻防战即将展开……
古剑奇谭之琴心剑魄
白澍,梁婧娴,姜震昊,黄羿,王景灏仙人长琴犯错被罚下天界，命魂被铸成凶剑焚寂，心魄托生成人为欧阳少恭。焚寂被注入韩云溪体内。少恭误入歧途危害百姓，云溪维护天下与少恭同归于尽，云溪恋人风晴雪带着他的魂魄踏上了寻找复活之法的漫漫长路……
真实的谎言
阿诺·施瓦辛格,杰米·李·柯蒂斯,汤姆·阿诺德,比尔·帕克斯顿,蒂亚·卡雷尔,阿特·马里克,艾丽莎·杜什库,格兰特·赫斯洛夫,查尔顿·赫斯顿,马绍尔·曼尼什,詹姆斯·艾伦,迪特尔·劳特尔,简·莫里斯,卡齐·查普尔,克丽丝蒂娜·怀勒,奥弗·萨姆拉哈里（阿诺•施瓦辛格 Arnold Schwarzenegger 饰）是美国FBI的高级特工，他正在奉命调查一起跨国核武器走私案件。出于安全考虑，哈里连结婚15年的妻子海伦（杰米•李•柯蒂斯 Jamie Lee Curtis 饰）都没有告诉他的真实身份。 海伦是一名普通白领，平凡的生活已令她心生厌倦。一次，汽车商西蒙假扮FBI特工，溜到海伦家谎称自己被人追杀。紧张刺激的经历很快令海伦着迷。 这一切都没有逃过真正的FBI特工哈里眼睛。哈里利用间谍侦查手段令到西蒙洋相百出，并化妆成法国人正欲调戏海伦时，被恐怖分子突然袭击，两人被挟持到一个热带小岛。哈里和海伦最终能否逃出生天，挫败恐怖分子阴谋？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.