JK与女同夫人：万丈的悦乐绘卷

⭐ 9.1 播放：22万 2026-04-28

千夏是个高中生美少女, 因父母结婚20週年去欧洲旅行, 而将千夏寄宿在插花老师美里家中. 千夏刚到美里家中夜晚, 窥见美里入浴及其夫妻激情作爱, 性渴难耐....第二天, 美里丈夫是演艺部部长, 恰巧需到外地旅游, 屋内只剩千夏和美里, 千夏有兴趣学习插花, 打算在2週中, 好好研究插花技巧.在生活对美里时常显出欲望需求行为, 起先被较保守的美里拒绝, 但不知不觉中, 美里逐渐接受千夏的挑逗, 尤其在孤寂时, 激起同性恋情火花, 共同入浴, 抚慰y-乐. 甚至将震动器塞进内裤, 走上人群街道上, 遥控强烈震动, 得到从未有的更新奇的高潮刺激. 于是假阳具和按摩棒, 成为她俩不可脱离的欢y-利器. 丈夫返家后, 千夏藉口就学较近, 并得父母同意, 继续住在美里家中, 嘴脸不时浮现满足欢愉的神秘微笑, 美里有点迟疑, 但怀春少女千夏住在家中, 共同一起生活, 无形种种诱惑, 丈夫是否会做错事呢? 没人能知道...... 　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.