即刻观影
剧情赏析
编辑推荐
勿扰警告
欧文·马肯,安娜·斯科莱姆,Tereza Srbova,Anthony Jabre一群朋友计划离开城市去海边度过一个轻松的周末，但事情发生了变化，一个年轻女子在一个偏僻岛屿的岸边向他们挥手求助。伸手救援便是致命的危险，他们不顾一切要逃离小岛。
河童之子
本·麦肯锡,博亚娜·诺瓦科维奇,索耶·琼斯,马尔科姆·富勒,小杉健,Ethan Herschenfeld,阿莎·埃奇森,大卫·吉布森,Rebecca Nelson,詹姆斯·亚当·林,横田実优,大卫·莱文,Larry Bull,Jeff Applegate,秋野松明,扎克·新里影片讲述了一位母亲和两个儿子在日本度假的故事。他们的小儿子差点淹死在湖里，事故发生后不久，父母意识到他们的儿子出了问题。
无瑕修女
西德尼·斯维尼,西蒙纳·塔巴斯科,阿尔瓦罗·莫奇,贝内黛塔·波尔卡罗利,朵拉·罗马诺,吉皮耶罗·朱迪卡,乔治·科兰杰利塞西莉亚（西德妮·斯威尼 饰）是一个非常虔诚的修女，她来到意大利乡间修道院开始新生活，却在这个几乎全是女人的地方意外怀孕，原来这里隐藏着黑暗和可怕的秘密。
讨嫌的人
丽贝卡·波拉科娃,Mantas Zemleckas,巴博拉·伯布洛瓦,米罗斯拉夫·哈努斯,马丁·芬格,哈娜·瓦格内洛娃,Ondrej Novotný,Tatjana Medvecká,娜塔莉·蕾赫罗娃,Simona Zmrzlá,Marek Geisberg,Agáta Spisáková,黛安娜·杜林科娃,Katerina Marie Fialová,Leona Sklenickova,Martin Donutil,Pavel Novotný,Patrik Vojtísek,Eva Alner Jízd影片 Já, Olga Hepnarová 的主创再发新作，承诺本片会十分独特，与捷克国内所习见的作品大异其趣，更显粗粝。 萨拉在布拉格陆军总部担任助理。她极富魅力，身边俊男如云，却仍旧单身。对于这点，专横的母亲总是对她时时提醒。当她遇到俊朗迷人的马丁时，她终于体验到了生命中的爱情。渐渐地，他们的关系越来越亲密，但当萨拉想把他们的关系发展到更深、更肉体的层次时，马丁却出人意料地打断了她。萨拉不肯接受马丁讳莫如深的态度，她想知道彼此之间的阻力究竟为何物。于是，她获知了马丁的秘密。他们随后将了解，人不合群时，会遭到社会怎样的对待。 本片以年轻女子萨拉的视角展开，她爱上了一位神秘男子，但他们的关系并不完全符合社会标准，他们都必须决定是否值得为在一起而奋斗。影片突出强调了一个极具现实意义的问题，即无法满足周围环境的期望，以及与众不同所带来的社会压力、疏离感和自我怀疑。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
密室绑架
杰拉·哈斯,克雷蒙斯·施伊克,马克斯·冯·德·格罗本两个蒙面人在街上绑架了一个女人并向其索要赎金，他们将她绑了起来并且堵住了她的嘴巴，但这个女人凭借自己有限的力量破坏了绑匪精心策划的计划。