云上的日子 上部

午夜场

　　《午夜场》讲述了戏院经理林梅（范梦饰演）与戏院大小姐子君（冯言彦饰演）是无话不谈的闺蜜，在子君即将结婚前，无意间发现林梅好似和自己的未婚夫家俊（邓先宇饰演）有着某种不为人知的关系。某一天，在他们工作的三十七号古宅内，一场备受关注的木偶剧目正在上演，而神秘的木偶附身也即将开始。随着现实诡异画面与林梅的梦境交织，令人意想不到的真相浮出水面！

赤脚大仙

超暴力机斗

　　主要讲述了未来世界人与机械武器之间的爱恨情仇。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

医神

　　田七（张达明 饰）是个精人，常喝醉打妻子当归（蔡少芬 饰），当归痛定思痛发誓要对夫报复，刚巧城中富商罗汉果欲寻名医，当归于是谎称丈夫会医术，并且要用精棍子揍田七，他才会应允他人治医，罗汉果信以为真，不但将田七痛打一顿，并将其接入家中，于是一场啼笑皆非的闹剧开始了……

全信没收

一群迈阿密警察在一间废弃的藏身屋发现数百万现钞，彼此之间的信任开始瓦解。随着外部人士得知充公金额如此可观，一切变得疑点重重，到底还剩下什么可以相信？又有谁依然值得信赖？

极度失眠

　　1997年，一部来自挪威的惊悚片《失眠者》上映后获得好评，《芝加哥太阳报》的著名影评人罗杰，艾伯特给出了3星半的高分，他盛赞该片“不仅仅是一部惊悚片或动作片，而是一次心理学上的探索与学习”。两犯罪调查者到挪威北方一个镇帮助解决一个年轻的女孩的谋杀案，谁知陷入了巨大的困境之中。