创伤不归路

★ 3.9 播放:36万 更新:2026-04-28

暗夜妖娆,掩饰不住孤独人儿的落寞心情。妓女卡特琳(Eva暂无内容Lorenzo暂无内容饰)走在光怪陆离的都市街道上,为生计赚着稀薄和充满屈辱的金钱。在另一个妓女同伴克劳蒂娅(Maria暂无内容Schuster暂无内容饰)的介绍下,她得到业内大老板的庇护,生活权且有所保障。

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剧情简介

暗夜妖娆,掩饰不住孤独人儿的落寞心情。妓女卡特琳(Eva暂无内容Lorenzo暂无内容饰)走在光怪陆离的都市街道上,为生计赚着稀薄和充满屈辱的金钱。在另一个妓女同伴克劳蒂娅(Maria暂无内容Schuster暂无内容饰)的介绍下,她得到业内大老板的庇护,生活权且有所保障。

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写在大地上的诗

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纳粹僵尸

A special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster