影片推荐
公寓管理员
帕特里克·约翰·弗吕格,方·基默,路易莎·克劳瑟,保罗·本-维克托,尤尔·瓦斯克斯,梅丽莎·博洛纳,金·迪莱克特,阿曼达·沃伦,斯坦·德米多夫,卢克·爱德华兹,艾丽克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奥基里特·奥诺多瓦马腾你别走
林更新,李幼斌,宋茜,王彦霖,李雪琴,陈哈琳,冯雷,潘斌龙青石镇传说
曹卫宇,李培铭,胡亦瑶,张璐瑶,高凯巨星嫁到
詹妮弗·洛佩兹,欧文·威尔逊,马鲁玛,萨拉·西尔弗曼,约翰·布莱德利,克洛伊·科尔曼,吉米·法伦,布雷迪·诺恩,蜜雪儿·伯托,乌特卡什·安邦德卡尔,基思·埃威尔,杰奎琳·霍努力克,卡特里娜·坎宁安,斯蒂芬·沃勒,劳伦斯·史密斯,莱恩·瓦莱丽,布莱斯·科里根,洛根·克劳福德,朱塞佩·阿迪佐内,赫纳多·罗德里格斯,亚历克斯·佩雷斯,瑞娜·郑,乔纳森·M·帕里森 ,马科·查卡,桃乐丝·麦卡锡柏林综合症
泰莉莎·帕尔墨,马克思·雷迈特,马蒂亚斯·哈比希,艾玛·巴丁,艾尔迈拉·拜赫尔米,克里斯托夫·弗兰肯,露西·阿伦,纳西姆·阿瓦特,马琳·斯特芬,图索·勒克维,拉拉·玛丽·缪勒,玛雅·阿布斯贝格最后命令
埃米尔·雅宁斯,艾弗琳·布伦特,威廉·鲍威尔同类精选
探魔导师2之王者联盟
洪冰瑶,李鹤楠,于洛熙,葛天,王炳乔,刘惠,陈招,阿肯,周剑飞,管贞喧,美伊,安龙,Milano,毛秀婷,毛秀玲,齐冰,马驰,王启蘅,金韬,赵寅辰,宋曌晗,侯雪艳,殷晓维,何然,祁建国,张天宇,肖磊,萌宝宝,侯耀华,腾奎兴,郭忆然,赵英龙,钟小丹,杜邱,马满,王虹,黄静,卢晓倩,李雪,王子彤,刘芯嘉,蔡姿利,张汐,陈志颖,陈婉仪,灵药,殷若曦,雪千琪,魏鹏,杨铮,慕岩,史蒂文·达兹,侯晶皓,牛中华,常峰辉,王朋朋,潘靖康,柏树森,潘臣,汪齐,葛亮,张雪峰铁甲无敌玛利亚
梁朝伟,叶倩文,徐克,林正英,岑建勋,陈国新,林国斌,秦沛祝你好运2024
亚历山德拉·达达里奥,柯瑞·福格尔玛尼斯,迈尔斯·古铁雷斯-赖利,科尔·斯普罗斯,莉娜·邓纳姆,艾米·兰德克,莱克西·安德伍德,丽莎·山田,贾德森·米尔斯,布莱恩·迈克尔·史密斯毛骨悚然撞鬼经 2016夏季特别篇
稻垣吾郎,武井咲,丰岛花,板谷由夏,中岛健人,前野朋哉,半海一晃,生田绘梨花,生驹里奈,斋藤飞鸟,白石麻衣,西野七濑,笨蛋节奏,岸井雪乃,吉本美憂,利重刚,柳叶敏郎,前田敦子,鹿贺丈史百米。
松坂桃李,染谷将太,笠间淳,高桥李依,田中有纪,种崎敦美,悠木碧,内田雄马,内山昂辉,津田健次郎,榎木淳弥,石谷春贵,石桥阳彩,杉田智和大帝机器人
伊武雅刀,洞口依子,森本治行,吉田友紀影视排行
一个明星的诞生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奥利弗·克拉克,Marta Heflin,莎莉·柯克兰德,乔安妮林维尔,保罗·马祖斯基,斯蒂芬·布鲁顿,Donnie Fritts,Booker T. Jones,Jerry McGee,比尔·格雷厄姆,丽塔·考里基,托尼·奥兰多,伊索·阿克瑞恩,罗伯特·英格兰德,梅迪·诺曼,Susan Richardson本片是同一故事第三度重拍的版本。此片将好莱坞的背景改成今日的摇滚乐坛,男主角原是着名的摇滚乐歌手,而女主角则在小型夜总会卖艺。影片中有不少热门插曲,部分片段的镜头和表演都不俗,但整体则显得有点矫揉造作,角色欠缺真正的生命感,不过娱乐性还是维持相当水准。本片曾获奥斯卡最佳电影插曲金像奖。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
古曼童
辛迪·米兰达,纳塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman EsquivelA black magic baby outdy com that is believed to bring luck to its owner and also harm if not properly cared for
比尔和泰德畅游鬼门关
基努·里维斯,亚历克斯·温特,威廉姆·赛德勒,乔斯·雅克兰德,帕姆·格里尔,乔治·卡林热爱摇滚乐,一心想赢得大赛的阿比阿弟不小心被另一对长得一模一样的阿比阿弟机器推冥界。在他们大闹阴曹地府、畅游天堂之后还拖著死神回到阳世,拯救女友的性命···节奏强烈的热门歌曲、地狱游历的惊险怪谭,还有一对胡搞蛮缠的活宝兄弟,就已经使「阿」片够新鲜热闹了,再加上导演创新的拍摄手法,许多趣味的桥段串连,使本片不论在视觉效果、技术处理上皆比上集精进,娱乐效果更有过之而无不及。