死亡之吻
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剧情简介
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禁闭
娜奥米·沃茨,奥利弗·普莱特,查理·希顿,雅各布·特伦布莱,克里斯塔尔·巴林特,亚历克斯·布劳恩斯坦,大卫·库比特,艾伦·大卫,克莱门泰·波达兹,提姆·波斯特娜奥米-沃茨在影片中扮演一个名叫玛丽的儿童心理学家，她遭遇了人生中最不幸的事件：丈夫被一场离奇车祸夺去了性命，儿子则因这次灾难变成了植物人。一次偶然的机会，玛丽邂逅了一个叫汤姆的患儿，她将这个诡异的男孩带回家抚养，却因此招来了一连串不可思议的事件。
异次元骇客
克雷格·比尔克,阿明·缪勒-斯塔尔,格瑞辰·摩尔,文森特·多诺费奥,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍顿,莱昂·里皮,珍妮特·麦克拉克伦,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍华德·S·米勒,蒂娅·德克萨达,施瑞·阿普莱碧,鲍勃·克莱德宁,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韦弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布鲁门克兰茨,约翰尼·克劳福德,Tracy P十三，一个听起来就有些阴冷的数字。在一座大厦的第十三层，科学家道格拉斯•霍尔（克雷戈•比克饰）和汉农•富勒（阿明•缪勒－斯塔尔饰）用电脑模拟出一个逼真的1937年的洛杉矶，他们可以通过电脑进入这个虚拟世界，真实地体验1937年的生活与自己。然而一个夜里，富勒被人杀死，种种线索都表明似乎是霍尔所为。可霍尔却对当天夜里的事情全无记忆。这时一个自称是富勒女儿的女人又神秘出现，可霍尔从未听富勒说过自己有女儿……为了找到凶手明晓真相，霍尔循着富勒留下的线索来到虚拟世界中，他离真相越来越近了……近到窒息……
警长索恩：贪睡鬼
大卫·莫瑞瑟,艾丹·吉伦一起连环凶杀案吸引了警长索恩（大卫·莫瑞瑟 David Morrissey 饰）的注意，这位穷凶极恶的凶手手中已经有了三条人命，然而，第四名受害者却侥幸逃过一死。警方和民众都认为这是凶手的百密一疏造就的结果。然而，可怕的是，没过多久，索恩就发现，犯错的不是凶手，而恰恰是自己，因为尽管保住了一命，但这位幸存者却无法提供任何情报。 几起在同一时间、使用同一手法在两个不同地点作案的谋杀案让警长索恩十分警觉，随着时间的推移，迷雾渐渐拨开，他发现，自己所要面对的并非仅仅一名嗜血残暴的杀人魔王，而是两个在暗地里相互勾结、相互鼓励的反社会分子。
妃子笑
萧正楠,黄婉伶,黄婉君,陈逸宁,戴梦梦,朱咪咪,李兆基,江欣燕,梅小惠,谢雪心,杨羚,李思捷,王嘉明弘治七年，皇上在全国范围内大选妃子。来在同村的两位少女鸳鸯（黄婉君 饰）和朱朱（黄婉伶 饰）相助于危险的夜路，遂互称姐妹，共赴皇宫。 对于少女们来说，如果成功当选皇妃，无论富贵贫贱都可飞上枝头当凤凰，自然竞争激烈，条件也很苛刻。不光自身条件要好，还要经过严格的培训与层层考试。但更加残酷其实是她们各自之间的勾心斗角、尔虞我诈。 面对种种的困难与危险，鸳鸯与珠珠能否闯过难关？而面对这残酷的竞争，她们的友情是否会改变呢？
上身
田牧童,刘述,郭星显,黄伊伊,周炎同居男友许一恒遭遇事业难关，此时女友成心不但发现自己怀了孕，还获知许一恒跟闺蜜马可好上了，而马可家境殷实，能够帮助他渡过绝境。成心因为深爱，选择成全，离开许一恒，并做了人流手术，不料这胎儿竟成了“婴灵”点点。后来点点决定“带走”成心，慧化大师用佛法感化点点，并将其“交给了佛”。不久成心再受邪祟之扰，点点冒险回来搭救，也还原了真相……借此告诫切莫轻易堕胎，佛门有曰“五逆重罪”，堕胎必是冤孽。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
死亡笔记美版
曹斐然,李峥,李奔梁倩（曹斐然 饰）自小就失去了父母，孤苦伶仃的生活在孤儿院中。奶奶的出现给梁倩灰暗的生活带来了新的希望，奶奶将梁倩带回家，精心照料，渐渐的，梁倩从曾经那个灰头土脸的小姑娘，出落成了亭亭玉立的美人。 虽然拥有温婉美丽的外表，但梁倩的个性却格外的叛逆，干了许多莽撞而疯狂的事情。奶奶因为无法接受梁倩未婚先孕的事实，突发脑溢血去世了，追悔莫及的梁倩在奶奶的遗物中发现了一本神秘的笔记本，其中记载了自己的前世今生。梁倩决定守着奶奶留下的大房子，生下腹中的孩子，然而，一个陌生女租客的到来却令梁倩的生活再度陷入到了疯狂的危险和阴谋之中。