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是元介,吴可熙,郑人硕,杨丞琳,禾浩辰,石知田,丁宁,李国超选个家来爱
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邱泽,汤毓绮,白小樱,林品彤,赖雨霏,刘品言,陈竹升,曾珮瑜,梁正群,谢琼煖,黄镫辉,刘冠廷名侦探柯南：独眼的残像
高山南,山崎和佳奈,小山力也,速水奖,高田裕司,小清水亚美,草尾毅,飞田展男,高木涉,汤屋敦子,茶风林,岸野幸正,绿川光,山田孝之,山下美月伦敦呼叫
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Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎贝尔,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor Noor影视排行
噬血芭蕾
阿丽莎·威尔,梅丽莎·巴雷拉,丹·史蒂文斯,凯瑟琳·纽顿,凯文·杜兰,吉安卡罗·埃斯波西托,安格斯·克劳德,威廉·卡特列特,马修·古迪据DL报道，Radio Silence团队将执导环球影业未定名怪物电影。 Radio Silence是马特·贝蒂内利-奥尔平、泰勒·吉列特、贾斯汀·马汀内斯（已单飞）和查德·维拉利亚四人于2011年成立的一个电影人组合，曾执导或部分参与制作的作品有《致命录像带》系列、《恶魔预产期》、《一路向南》、《爆血新婚夜》、《惊声尖叫5》、《惊声尖叫6》等，主打惊悚题材。 该项目将类似之前的新版《隐形人》和即将上映的《伦费尔德》，是对环球旗下经典怪物角色进行全新诠释的惊悚类作品。 环球对预算、分级和影片具体类型没有任何限制（no restrictions on budget, rating or genre），它们不是任何“电影宇宙”的一部分，每部电影都能够独立存在、发挥创意。整个方向强调作者驱动，环球欢迎任何有原创性、有才华、敢于尝试的创新型电影创作人为旗下的角色开发故事。
4度空间大师
罗伯特·兰辛,李·麦瑞威瑟,James Congdon一位科学家在一次试验中，发现用脑波可以使一只铅笔穿透铜板，不过，他的实验室在一次大火中毁灭，这位科学家不得不投靠他的哥哥。他的哥哥也在进行着另一项实验，他发现重新组合原子结构可以产生巨大能量。他与弟弟合作，利用弟弟的脑波和实验心得，改变任何物质结构，形成“四度空间人”。 不过，“四度空间人”使用一次均会失去时间而老化，必须不断增加能源，而每次吸取能量，就会将老化转移他人，于是他不断杀人以维持青春。究竟四度空间人会不会最终被消灭，请观众自己品味。 本片构思新颖，运用高科技手段拍摄，是观众有身临高科技时代的感觉，当然，这指的是身在影片所属的年代！
神奇柑仔店真人版
天海祐希,大桥和也,伊原六花,上白石萌音,平泽宏宏路,伊礼姬奈,白山乃爱,番家天嵩,今濱夕輝乃,山本未来,渡边圭祐,田中里衣,大河原次郎改编自畅销儿童小说，本片以只有幸运的人才能到达的粗点心店为舞台，描绘了购买了红子推荐的可以实现愿望的“不可思议的粗点心”的人们的故事。
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.