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蓝月亮2025
伊桑·霍克,玛格丽特·库里,鲍比·坎纳瓦尔,安德鲁·斯科特,西蒙·德兰尼,约翰·多兰,帕特里克·肯尼迪,乔纳·利斯,伊雷恩·奥德怀尔,艾斯林·奥马拉,基利安·沙利文,丹尼尔·米克·瑞恩,伊恩·迪龙劳伦兹曾是百老汇作词家第一把交椅，却在与理查德拆伙后事业跌落低谷。前搭档新作的首演之夜，他故作大方献上祝福，新仇旧恨交织下，终究不欢而散；他转向忘年好友伊丽莎白寻找慰藉，又不禁怀疑友达以上的关系是否只是自作多情。偌大派对就像如今的百老汇，早已没他的容身之处。过了今晚，美国音乐剧的黄金年代就要展开，他的盛世却再也回不来，当最后一曲〈蓝月〉响起，即便成了终曲，也要忘情歌颂。
围困
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,列夫·佐洛图欣,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,丹尼尔·萨加尔,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊尔·乌里扬诺夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku该片讲述了伟大卫国战争期间列宁格勒遭受德寇围困的九百天，列宁格勒军民克服种种令人难以置信的困难--饥饿，轰炸，疾病，寒冷——保卫了这座“英雄城”并最终打破了德寇的围困的故事。
猎杀杰西卡·布洛克
Danica De La Rey Jones,塔梅尔·伯贾克,安东尼·奥塞耶姆,Vaughn LucasA retired special forces agent must battle a group of vengeful psychopaths and the African wilderness to get back to her daughter.
亚美利加纳
西德尼·斯维尼,保罗·沃尔特·豪泽,扎恩·迈克拉农,埃里克·迪恩,哈里特·桑塞姆·哈里斯,西蒙·雷克斯,托比·哈斯,Derek Hinkey,海尔希,乔·阿德勒,唐纳德·赛罗尼,布南侬·克罗斯,加斯珀·基恩,托尼·托斯特,亚历克斯·奈特,Christopher Kriesa,Nancy L. Gray,布雷迪·博克斯,Megan Hensley,Austin Boyce讲述了一群性格迥异的角色围绕一件罕见的美洲原住民文物展开激烈争夺的故事，在这件文物流入黑市后，一位怀揣梦想的腼腆女服务员（西德尼·斯维尼 Sydney Sweeney 饰）与一位渴望爱情的退伍军人（保罗·沃尔特·豪泽 Paul Walter Hauser 饰）联手，试图将其据为己有，却因此成为冷酷罪犯（埃里克·迪恩 Eric Dane 饰）的目标，而他正为一名西部古董商人（西蒙·雷克斯 Simon Rex 饰）效力。随着更多人卷入这场争斗，血雨腥风接踵而至。
毛骨悚然撞鬼经 25周年特别篇
稻垣吾郎,香取慎吾,森七菜,山内健司,坂口宪二,生见爱瑠,门胁麦,山口纱弥加,丰岛花,布施绘里
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster