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狗心1988
叶甫根尼·耶夫斯基格涅耶夫,Vladimir Tolokonnikov,鲍里斯·普洛特尼科夫,Roman Kartsev,尼娜·鲁斯拉诺娃,Evgeniy Kuznetsov,Olga Melikhova,阿列克谢·米罗诺夫,Anzhelika Nevolina,Valentina Kovel,谢尔盖·菲利波夫,Roman Tkachuk,娜塔莉亚·拉平娜幸福2024
洼冢爱流,莳田彩珠牙仙
道恩·强森,艾什莉·贾德,斯戴芬·莫昌特,瑞恩·谢克勒,塞思·麦克法兰,朱莉·安德鲁斯,切斯·埃利森,黛斯特妮·惠特洛克,布兰登·T·杰克逊,Dan Joffre,埃莉·哈维,巴克莱·霍普,迈克尔·登杰菲尔德,Dale Wolfe,Josh Emerson复仇双雄
奥马尔·查帕罗,亚利桑德罗·斯佩特泽尔,葆拉·努涅斯,娜塔莉亚·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖娅·拉里奥斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof预见者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop迷妄国度3
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失踪谜案
塔布,安努·卡波尔,马诺杰·巴杰帕伊驱魔
劳拉·琳妮,汤姆·威尔金森,詹妮弗·卡朋特,坎贝尔·斯科特洛杉矶之战
艾伦·艾克哈特,拉蒙·罗德里格兹,威尔·罗斯海尔,科里·哈德里克,吉姆·帕拉克,基诺·安东尼·佩西,尼欧,詹姆斯·廖,布里吉特·莫伊纳汉,诺尔·费舍,阿德托库姆布斯·麦克马克,布赖斯·卡斯,迈克尔·佩纳,米歇尔·罗德里格兹,小尼尔·布朗,泰勒·汉德雷,乔伊·金,卢卡斯·提尔,Kenneth Brown Jr.,雅丹·古尔德,乔·克里斯特,E·罗杰·米切尔,罗斯·布莱克维尔,苏西·阿布罗梅特,布兰迪·科尔曼,大卫·詹森,汤姆·希尔曼,莉娜·克拉克,塔琳·萨瑟恩,詹姆斯·D·德弗,Dane Brown,Gra细骨小屋
赛迪·斯欧维奥,乔莉·理查德森,尼尔·林波怖谷鸟
亨特·莎弗,贾恩·布卢特德,马尔顿·索克斯,杰西卡·亨维克,丹·史蒂文斯,米拉·刘,格蕾塔·费尔南德斯,波斯·曼达尼,阿斯特丽德·伯格斯-弗瑞斯贝, 康拉德·辛格,卡琳·莫罗风云宝石Ⅰ：罗汉岩
甄鹏宇,邓玉莹,张潮丰影视排行
黎娜需要爱
艾米利亚·舒勒,雅尼克·许曼,Kyra Sophia Kahre黎娜（艾米丽亚·舒勒 Emilia Schüle 饰）的故事非常悲伤和充满挫折。她从小生活在单亲家庭中，母亲只顾着自己的情感生活，忽视了对黎娜的关爱和支持。因此，她在学校里无法与同学们建立良好的关系，被视为怪异的存在，感到孤立和无助。然而，黎娜有一个隐藏的天赋：视觉艺术。她通过社交网络平台结识了同班同学提姆（雅尼克·许曼 Jannik Schümann 饰），两人因为对艺术的共同热爱逐渐互相了解和倾诉心声。他们的心灵相通，找到了互相支持和理解的温暖。 然而，黎娜的唯一好友背叛了她，陷害她成为卖提姆毒品的告密者。从那一刻起，她遭受了持续的诬陷和误会，被社会孤立和排斥。无论她多么努力地解释自己的清白，都无法挽回已经造成的后果。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
局外人2025
本杰明·瓦赞,皮埃尔·洛廷,斯万·阿劳德,德尼·拉旺,丽贝卡·马德,本杰明·希克戈尔,让-本笃·尤格斯,让-查理·克里切特1930年代的阿尔及利亚，冷漠的法国人默尔索对生命彻底漠然。他的情感疏离最终导致一场谋杀，随后的审判不仅审视罪行，更拷问其灵魂。改编自加缪小说《局外人》。
花魁～SAGA
冲田杏梨,佐山爱,盐谷瞬現代東京，三位女性——愛、瑪麗、杏珠——在繁忙與孤獨的⽣活中尋找愛與⾃我。某⽇，她們⼀同前往溫泉旅⾏，在閃爍的燈光與笑聲之間，⼀道神秘的閃光將她們帶入時空裂縫。當她們再次睜眼，眼前已成為⼀個充滿異⾊與絢爛的幻夢世界——「仮想・吉原」。在這座融合江⼾、⼤正與現代意象的花街中，她們分別化身為花魁「三浦太夫」、「薄桜」、「富⼠太夫」，成為欲望、權⼒與愛情交錯的舞台中⼼。