情事的开端

炼狱校园

贾瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul

　　一名美国青少女在学校惨遭霸凌，回击的后果却是被送到感化学校，不过这所「学校」实则更像一座监狱，她必须奋力抵抗心怀不轨的警卫和虎视眈眈的帮派，在这片龙蛇混杂之地杀出自己的生存之道……

惊变28年2：白骨圣殿

阿尔菲·威廉姆斯,拉尔夫·费因斯,杰克·奥康奈尔,基里安·墨菲,艾玛·莱尔德,毛拉·伯德,艾琳·凯利曼,齐·刘易斯-帕里,罗伯特·罗兹,萨姆·洛克,吉哈兹·艾尔·鲁法埃,娜塔莉·库斯托,Elliot Benn

　　末日丧钟再度敲响，带领观众直视人性毁灭的炼狱，感染者的威胁和幸存人类的邪恶。

围困4

尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,Roman Gromadsky,Aleksei Presnetsov,米哈伊尔·乌里扬诺夫,丹尼尔·萨加尔,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛图欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir

　　本片是苏联伟大卫国战争系列史诗巨片之一部。影片尽情歌颂了苏联人民，在德国法西斯围困列宁格勒的900个艰难的日日夜夜，所表现出来的顽强精神。影片及表现了苏军大本营对列宁格勒的战略布防，也表现出列宁格勒市民面对生死的坚忍不拔。同时也是为数不多的苏联战争影片，客观地表现了战争初期红军失利，以及红军将领伏罗希洛夫元帅组织列宁格勒城防的失败。影片还展现了列宁格勒基洛夫工厂，冒着的德军轰炸，坚持为前线生产武器，以及军队和市民通过城市唯一与外界的通道——拉多加湖通道，运送粮食、武器和其他战略物资的场面。该片还较为详实地展示了希特勒攻占列宁格勒的计划，以及红军与市民联手防御，共同抗敌的画面。这部影片，将战争的全景展示与战壕细节完美地结合起来，直到今天仍不失为一部反法西战争的优秀影片，很值得观赏和借鉴。

切勿擅动

唐·钱德尔,本尼西奥·德尔·托罗,马特·达蒙,大卫·哈伯,布兰登·费舍,诺亚·尤佩,茱莉娅·福克斯,基南·卡尔金,克雷格·穆姆斯·格兰特,艾米·西米茨,弗兰西斯·肖,乔恩·哈姆,Tina Gloss,雷·利奥塔,拜伦·鲍尔斯,比尔·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin

　　一群犯罪分子在神秘的环境下被聚集在一起，当他们简单的工作完全出现偏差时，他们不得不一起努力去揭开到底发生了什么。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

弗兰肯斯坦的新娘

Sev Philippou,Nick Launchbury,Vincent Donato

在弗兰肯斯坦怪物结婚的那天，村民们暴动并杀死了他。他的新娘逃跑了，发誓要报复负责的市民，并最终复活了怪物——在她身后留下了血迹。

春天不是读书天

马修·布罗德里克,阿兰·卢克,米娅·萨拉,杰弗瑞·琼斯,詹妮弗·格雷,辛迪·皮克特,莱曼·沃德,伊迪·麦克勒格,查理·辛,本·斯坦,德尔克洛斯,弗吉尼亚·卡珀斯,理查德·埃德森,克里斯蒂·斯旺森,马克斯·佩利希,斯科特·科菲,Tom Spratley,Debra Montague,乔伊·D·维埃拉,路易·安德森,Dick Sollenberger,迪迪·雷斯彻,Katie Barberi,Kevin Bassett,Harry Caray,詹姆斯·M·赫夫曼,约翰·休斯,Joseph P. McDonne

　　芝加哥又迎来了晴朗的一天，逃学高手菲利斯（马修•布罗德里克 Matthew Broderick 饰）自然不会在这天选择枯燥的测验，他伪装病重骗过父母，令同校的姐姐珍妮徒劳嫉妒。菲利斯找来好友凯伦（阿兰•卢克 Alan Ruck 饰），两人联手骗过训导主任罗宁，驾驶凯伦父亲珍藏的法拉利将菲利斯女友思朗接出学校兜风，菲利斯娴熟的电话骗术在凯伦和思朗的配合下将众人戏弄的团团乱转，学生们反而受他的影响颇深，在校内发起给菲利斯谎称的手术捐款。罗宁不堪忍受菲利斯一次次得欺骗，“微服私访”去校外希望能将菲利斯捉个正形，而在城中四处游荡的菲利斯三人则展开了一场隐藏自己身份的冒险……