丑闻笔记

★ 4.9 播放:28万 更新:2026-04-28

Notes on a Scandal 希芭哈特(凯特 布兰切特)是学校里新来的美术教师,她年轻美丽,气质高雅。老教员芭芭拉(朱迪 ;丹奇)悄然的关注起希芭,并慢慢和希芭结成好友。希芭把芭芭拉当成密友,向她倾吐年迈丈夫的无趣,女儿的叛逆和儿子的低能。两个女人结为看起来温馨又调和的忘年之交。 无意中芭芭拉发现希芭与学生的不管之恋,她逼迫希芭供认了奸情,并容许激进机密。可是两个人的友谊却由此蜕变。失密人芭芭拉对希芭的占有欲越来越强,希芭在机密被泄露的要挟下一次次屈从。但是机密总有被泄露的一天,失密人事无巨细的日记转眼成了记满丑闻的笔记。   

在线播放

剧情简介

Notes on a Scandal 希芭哈特(凯特 布兰切特)是学校里新来的美术教师,她年轻美丽,气质高雅。老教员芭芭拉(朱迪 ;丹奇)悄然的关注起希芭,并慢慢和希芭结成好友。希芭把芭芭拉当成密友,向她倾吐年迈丈夫的无趣,女儿的叛逆和儿子的低能。两个女人结为看起来温馨又调和的忘年之交。 无意中芭芭拉发现希芭与学生的不管之恋,她逼迫希芭供认了奸情,并容许激进机密。可是两个人的友谊却由此蜕变。失密人芭芭拉对希芭的占有欲越来越强,希芭在机密被泄露的要挟下一次次屈从。但是机密总有被泄露的一天,失密人事无巨细的日记转眼成了记满丑闻的笔记。   

导演精选

恶徒2025

一名19岁的罪犯汤米(Tommy)被一对功能失调的夫妇克里斯(Chris)和凯瑟琳(Kathryn)绑架,并被迫接受他们的“改造计划”,试图将他塑造成一个“好男孩”。汤米必须设法逃脱。

肥龙过江

  香港警察朱福龙(甄子丹 饰)因一次工作失误惨被降级,万般无奈之际又遭未婚妻可儿(周励淇 饰)悔婚,事业爱情的双重打击令他一蹶不振,暴饮暴食六个月后体重猛增到220磅!上司黄警官不忍其继续堕落,委派朱福龙前往日本押送一名犯人,并承诺只要完成任务就可以为他恢复职位。可惜来到日本,倒霉的事件便接连在他身上发生,不仅财物尽失,连犯人也在押送途中逃脱了。幸好得到前香港警察潇洒哥(王晶 饰)的帮助才得以暂时解困,为了完成任务找回犯人,朱福龙与潇洒哥共同行动,不料在查找真相的过程中发现了日本黑帮的惊天阴谋......

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster