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我家的事
蓝苇华,高伊玲,曾敬骅,黄珮琪,朱羿铭,姚淳耀,严艺文,郑有杰一个家就是一个四季，每个家都有不能说的秘密。追寻身世的姊姊、艰辛求子的妈妈、天兵闯荡的弟弟、试图逆转人生的爸爸，有欢声笑闹，也有哭泣仿徨，直到微光照进幽暗的心房。改编自短片《姊姊》，导演潘客印首部长片以不同家人视角，编织一部动人小品，勾勒平凡台湾乡间家庭横越24年的鲜活画像。蓝苇华、高伊玲、曾敬骅、黄佩琪共组一家四口，串起四段时光的悲喜往事。
猎杀游戏
格伦·鲍威尔,乔什·布洛林,迈克尔·塞拉,科尔曼·多明戈,凯蒂·M·奥布莱恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大卫·札亚斯,杰米·劳森,艾米莉亚·琼斯,卡尔·格洛斯曼,丹尼尔·埃兹拉,李·查尔斯,桑德拉·迪金森,乔治·卡罗尔,索菲·西蒙特,奥妮克·阿德莉,乔伊·安沙,布兰登·伯克在近未来的反乌托邦社会，电视真人秀《过关斩将》（The Running Man）以血腥的生存竞赛霸占收视榜首。参赛者被称为“跑者”（Runners），必须在职业杀手的追猎下存活30天，一举一动皆被实时直播给嗜血的公众观众；每多活一天，便能累积更高额奖金。 工人阶级的本·理查兹（格伦·鲍威尔 饰）为拯救重病女儿孤注一掷，被节目魅力十足却冷酷无情的制作人丹·基利安（乔什·布洛林 饰）说服，以“最后希望”的身份踏入这场死亡游戏。 然而，本的叛逆、求生本能与坚韧意志，竟让他意外成为全民追捧的偶像——同时也成了整个体制的致命威胁。 随着收视率飙升至巅峰，危险指数同步暴涨。本不仅要智胜步步紧逼的猎人，更需对抗整个国度对他“惨败”的疯狂期待。 影片改编自史蒂芬·金的同名小说。
魔镜咒
Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia恐怖和奇怪的事件困扰着玛雅和她家人的生活，她怀疑舅舅和舅妈是幕后黑手，因为他们一直想要获得玛雅家从外公那里继承的房子和土地。但是这种贪恋吸引了一股可怕的力量，这股力量的目标是玛雅全家。
布偶秀50周年特别节目
塞斯·罗根,塞布丽娜·卡彭特,玛娅·鲁道夫,马特·沃格尔,大卫·戈尔兹,迈克林·西提,比尔·巴雷塔,Peter Linz,史黛芬妮·迪亚布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito科米蛙、猪小姐以及其他迷人的伙伴们，重返最初的布偶剧院舞台，带来全新的音乐、搞笑短剧，以及一连串的后台大乱斗。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
遁入虚无
内森奈尔·布朗,帕兹·德拉维尔塔,Cyril Roy,Olly Alexander,Masato Tanno,Ed Spear,Emily Alyn Lind,Jesse Kuhn,Nobu Imai一场车祸夺去了父母的性命，年幼的奥斯卡和妹妹琳达发誓永不分开。成年后，奥斯卡（Nathaniel Brown 饰）漂泊来至东京，为了实现童年的誓言，他以兜售毒品赚取钱财，终于为琳达（Paz de la Huerta 饰）挣得了飞来东京的机票。兄妹相遇，却终是随波逐流的个体。在这个繁花乱坠迷人眼的大都会，奥斯卡继续进行毒品交易，而琳达则在一家夜总会大跳艳舞。在一次交易时，奥斯卡遭到警察围捕，混乱中更被枪击身亡。他的意识渐渐脱离肉体，穿梭在东京的大街小巷，关注跟随每一个在他生命中留下痕迹的人，等待着下一场不知何时才会开始的轮回…… 本片荣获2009年Sitges – Catalonian国际电影节最佳摄影奖和评委会特别奖。