糖宝
The film watches as an enterprising Sugar Baby, offered ten grand to move in with her Sugar Daddy, comes to discover the dark secrets trapped within his home. Pic is described as part biting dark comedy, part erotic thriller — but above all, a story about sex work through a feminist and queer lens.
即刻观影
剧情赏析
编辑推荐
混凝土乌托邦
李炳宪,朴叙俊,朴宝英,金善映,朴持厚,罗哲,金度允,南镇福,金学善,朴周勇该片以大地震后荒废的首尔为背景，讲述聚集在此地唯一剩下的“皇宫公寓”里的生存者们的故事。
网住你的心
伽罗·阿德瓦尼,阿迪提亚·西勒,Chirag Pardesi,Paras Gola,Rajesh Jais,Shivam Kakar,Manish Chaudhary,玛丽卡·杜阿,Yudhishtir Urs,Ansuman Bhagat,Amit BimrotA coming-of-age story of a girl who experience life through misadventures & dating apps.
鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安贾尼,唐尼·阿兰西亚,安德里·马沙迪,Rangga Nattra,Nugie,鲁克曼·罗萨迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari达尔文是一名摄影师，他发现有个神秘女人总出现在自己的照片中。当这个幽灵般的身影开始在现实生活中显现时，他的女友皮亚开始调查这个鬼魂的身份，最终发现它与一名名叫莉莉斯的前大学学生有关。当达尔文的朋友们开始陆续死亡时，皮亚怀疑这些鬼魂事件与达尔文的过去恶行有关。
伪装大师1：维多女人
陈启杰,高雨儿,张炜迅,夏星,张惠程,杨静,闫锐关键一晚终于来临，黄渤扮演的黄总，邀请收藏爱好者来自己家参观，蔺先生如今也是其中一员，带着王森来了。蔺先生发现黄渤家里有三幅《维多女人》仿品，都是有一定年头的值钱货，但蔺先生从特定角度，发现了其中一幅画的标记，这是王森之前交他辨别真假的方法，王森也证明的确是真品。蔺先生发现这是真品后非常激动，要趁别人都没发现之前买下这幅画。黄渤看蔺先生这么感兴趣，开玩笑般开出天价，蔺先生立刻答应，并且要求当场成交。 成功了！派对上，黄渤把钱撒向空中，大家激动分钱，王森却不在。 王森突然接到电话，得知夏天竟然被陶硕绑架，陶硕威胁王森交回画，否则杀了夏天。王森一生中从未如此紧张失措过，他和黄渤立刻回去找蔺先生，没想到蔺先生像是变了一个人，精明地可怕，要王森拿出三倍的价买回《维多女人》，黄渤提醒王森夏天还有一个小时就要被杀，王森下定决心，用自己收藏的一屋子艺术品来换这幅画。 时间紧迫，王森让黄渤去家中拿艺术品，而自己先拿画去救夏天。王森回到绑架现场却一无所有，黄渤也联系不上了，只有他手上那幅画，这时他才发现，手上那幅画，上面有自己的签名，这是最初自己伪造的那副假画。 王森疯了一般，他回到家，空空荡荡，所有值钱的东西都被卷走 ……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
义务警员
奥利维亚·王尔德,摩根·斯佩克特,凯尔·凯特莱特,托妮·帕塔诺,贝特西·艾顿,切丽丝·迪伦,朱迪·马尔特,C·J·威尔逊,查克·库珀,马塞林·休格特,佩奇·瑞亚,埃斯特凡妮娅·特杰达,贝弗利·阿特金森,希瑟·哈金斯,丽贝卡·斯皮罗,大卫·尚布里斯,吉姆·福特,J·D·威廉姆斯,马格特·宾汉,玛丽·特斯塔王尔德饰演一名复仇天使，帮助受害者们向施虐者复仇。