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剧情提要
本片由1997年美国地区Rolfe暂无内容Kanefsky暂无内容导演亲自编导拍摄，由Gabriella暂无内容Hall暂无内容David暂无内容Chielens暂无内容Robert暂无内容Donavan暂无内容Jacqueline暂无内容Lovell暂无内容参与本片主演。暂无内容剧情内容:或许影迷见多了海报，还未真正欣赏过本片的魅力，诱惑系数蛮高的一部艺术影片，对“人体美”健身房正在进行一些现金流的问题。为了从去打破阻止它...
暗夜精选
变态杀手
乔治娜·坎贝尔,詹姆斯·普雷斯顿·罗杰斯,马尔科姆·麦克道威尔,洛根·米勒,Grace Dove,艾伦·默克,Joshua Banman,Cassandra Ebner,达伦·马尔滕斯,辛妮·比斯顿,Nigel Shawn Williams,泰瑞·雷,科比·弗里森,Bailey Chin,Michelle Crossman,Rachel Sheen,凯文·麦金太尔,Robert Nahum,Yan Joseph,Brodie Sanderson萨利姆鬼屋事件
小比尔·奥伯斯特,Courtney Abbiati,Jenna Stone纽伦堡的审判
斯宾塞·屈塞,伯特·兰卡斯特,理查德·威德马克,玛琳·黛德丽,马克西米连·谢尔,朱迪·加兰,蒙哥马利·克利夫特,维尔纳·克伦佩雷尔王胜：紫色
王胜壮志千秋
理查德·迪克斯,艾琳·邓恩,埃斯特尔·泰勒,南斯·奥尼尔脆弱的男人
亚辛·侯伊卡,欧莱雅·阿玛拉,拉斐尔·奎纳德,Bilel Chegrani,迪翁-克巴·塔库,蒂法因·戴维斯,霍莉·法特玛,吉列尔莫·吉兹,萨米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾玛·贝内斯坦,Aurélien Marra,塔萨迪特·曼迪,Atmen Kelif从前有位国王
幕后花絮
英雄百夜
讲述一个女性主义童话故事，为《一千零一夜》的新编，聚焦两个相爱的女人Cherry（麦卡·梦露 饰）和Hero（艾玛·科林 饰）：Cherry与邪恶的男子Jerome（埃米尔·艾尔-马斯里 饰）结了婚，Jerome与他的朋友、好色的恶人Manfred（尼古拉斯·加利齐纳 饰）打赌，看Manfred能否在100晚之内勾引Cherry，如果Manfred成功，Jerome就把城堡和Cherry送给他。对此毫无兴趣的Cherry与她的女仆兼情人Hero策划了一计：在那100个夜晚，Hero将给Manfred讲述一些吸引人的故事，让Manfred从勾引计划中分心。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.