在线观看
剧情提要
普通的家庭主妇,姬秀的(全町站)的梦想是成为丈夫的爱。她的丈夫泰洙(公园金焕)是一个粗糙的收债人不满他的性生活与他的妻子。大佬昌洙(长永硕)谁使影片从使用一个隐藏的摄像机在侦探康旅馆(杨贤洙)犯贪污,泰洙借钱du博而不能支付他回来的时间。 姬秀发现她怀孕了,很高兴她终于可以从她的丈夫挣一些爱但她发现视频丈夫欺骗的汽车黑匣子。她平静下来,前一天提前回家,发现她的丈夫对她不忠。然而,女人与丈夫睡原来是自己的母亲(李eun-mi-i)。 姬秀计划采取报复,有一个男人谁是在秘密监视她
暗夜精选
老板和小可爱
萨尔瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希罗·埃斯珀斯托,萨尔瓦多·斯特里亚诺,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷纳古剑奇谭之焚寂天劫
白澍,梁婧娴,姜震昊,黄羿,王景灏蛛仙
孙艺宁,李砚,高广泽,潘严,刘锡明看护中
李裕英,芮秀贞,廉惠兰,尹敬浩曼克
加里·奥德曼,阿曼达·塞弗里德,莉莉·柯林斯,查尔斯·丹斯,艾利斯·霍华德,汤姆·派福瑞,塔彭丝·米德尔顿,汤姆·伯克,杰米·麦克沙恩,莱文·兰宾,托比·莱昂纳德·摩尔,山姆·特劳顿,约瑟夫·克罗斯,艾维·约斯特,亚当·沙皮罗,费迪南德·金斯利,保罗·福克斯,娜塔莉·丹尼斯·斯皮尔,里克·帕斯夸隆,保罗·卡拉夫特斯,克里斯蒂安·普伦蒂斯,约翰·李·艾姆斯,金斯顿·凡尔内斯,克莱格·罗伯特·扬,贾可琳·贝瑟尼,卡米尔·蒙哥马利,克雷格·韦茨巴赫尔,乔安妮·汤姆森,达娜·林恩·拜伦,斯图瓦特·斯科尔顿,克里斯安眠实验
Krit Jeerapattananuwong,Warisara Jitpreedasakul,Philaiwan Khamphirathat,凯·乐希迪柴,汪撒孔·拉萨米塔特,帕尼莎拉·里库苏拉康,Supanaree Sutavijitvong,卜密巴特·塔沃斯理,Dujdao Vadhanapakorn,Kim Waddoup吾辈本如斯
比尔·萨奇,安拜·柴尔德斯,朱莉娅·加纳,凯莉·麦吉利斯,怀亚特·拉塞尔,杰克·戈尔同系列推荐
二〇二五年的欧陆
埃斯特·通帕,安娜玛丽亚·比鲁斯卡,马里乌斯·达米安,伊林卡·马诺拉切,瓦娜·马尔达雷,谢尔班·帕夫卢,阿德里安·希塔鲁,加布里埃尔·斯帕休,阿多尼斯·坦察飞行家2025
蒋奇明,李雪琴,董宝石,姜武,杨玏,蒋易,雷佳音,董子健,王彦霖,欧剑宇,英泽,郑昊森,周铁男,鹏飞,韩秀一,周小川,郝奕鸣,赵海涛,鞠可儿,刘亦淳绝录求生
吴超,孙骁潇,吴楚,冯波,王思思,安琥,国庆,刘波聊斋:魅首诡案
吴添豪,马丽亚,阿丽亚,郭绅钰,傲蕾炼狱校园
贾瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul送葬人2023
那塔乌·桑亚布,察猜·钦西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亚尔,Siriamol Onkoon幕后花絮
要是晴天就好了
本剧改编自自身也有护士经验的藤冈阳子所著同名小说。故事发生在1945年的菲律宾,穿越时空的主人公,在战争时期物资匮乏、与死亡相伴的残酷状况下,与同伴们一起不失去希望地生活着,通过每天的生活,逐渐找回生存的力量。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster