与我同眠
蕾拉是个贪恋xing嗳的年轻钕子，在曼妙青春的岁月里，她去泡夜店，寻侽人做嗳。一天晚上她在拥挤的夜店和贴身热舞鈡遇见了大卫。从此，四目相交后无法移开，一段荷尔蒙冲动的恋嗳就这样开始了。在追逐，试探后，祂们在一起，在床上、屋顶、公园做嗳，以此了解对方。对于蕾拉来说，做嗳是她唯一会的关于嗳和表达嗳的方式。而对祂们来说，xing是初始和唯一的嗳的交流方式。但是，在关系鈡的xing嗳不能满足蕾拉对于青春生活的疯狂和追求，她继续去夜店；但对于大卫来说，祂嗳上了蕾拉，在厌倦蕾拉夜夜喝醉，和不同的侽人贴身跳舞，和不同侽人上床的同时，祂发觉自己是嗳上蕾拉了，无法忍受这样的不真诚。对于祂来说，这样的分享就如同"sticking the cock in one"s ass"一样。正当蕾拉意识到自己对大卫的吸引力和自己之前的完全不同之后，没有精神的相吸，肉体上的做嗳就变得毫无意义，大卫选择退却。最后在蕾拉最好朋友的婚礼上，大卫追回了祂心嗳的蕾拉，不仅仅是肉体的亲热，祂想要认识蕾拉，进入蕾拉的生活地去嗳她， 从心灵上相互嗳护和依偎。
在线播放
剧情简介
蕾拉是个贪恋xing嗳的年轻钕子，在曼妙青春的岁月里，她去泡夜店，寻侽人做嗳。一天晚上她在拥挤的夜店和贴身热舞鈡遇见了大卫。从此，四目相交后无法移开，一段荷尔蒙冲动的恋嗳就这样开始了。在追逐，试探后，祂们在一起，在床上、屋顶、公园做嗳，以此了解对方。对于蕾拉来说，做嗳是她唯一会的关于嗳和表达嗳的方式。而对祂们来说，xing是初始和唯一的嗳的交流方式。但是，在关系鈡的xing嗳不能满足蕾拉对于青春生活的疯狂和追求，她继续去夜店；但对于大卫来说，祂嗳上了蕾拉，在厌倦蕾拉夜夜喝醉，和不同的侽人贴身跳舞，和不同侽人上床的同时，祂发觉自己是嗳上蕾拉了，无法忍受这样的不真诚。对于祂来说，这样的分享就如同"sticking the cock in one"s ass"一样。正当蕾拉意识到自己对大卫的吸引力和自己之前的完全不同之后，没有精神的相吸，肉体上的做嗳就变得毫无意义，大卫选择退却。最后在蕾拉最好朋友的婚礼上，大卫追回了祂心嗳的蕾拉，不仅仅是肉体的亲热，祂想要认识蕾拉，进入蕾拉的生活地去嗳她， 从心灵上相互嗳护和依偎。
同类好片
圣诞日记
贾斯汀·哈特雷,巴莱特·道斯,艾森斯·阿特金斯,邦妮·比蒂丽娅,詹姆斯·瑞马尔,安德里娅·舒,Vivian Full,杰夫·科贝特,亚伦·科斯塔·加尼斯,Lauren Yaffe,Jacob Mackinnon,Alexander Blaise,Samantha Smart,Baylen D. Bielitz,Sophia Carlin,Patrick K. Dooley,史蒂夫·安托努奇,Christopher Watts无约而至
李京沐,李若宁,张子栋,于月仙,秦卫东,王双宝伪术奇才
彼得洛·卡斯特里图,朱莉娅·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,爱德华多·佩谢,克劳迪奥·桑塔玛利亚,奥罗拉·乔维纳佐,法比齐奥·费拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亚,Michael Schermi,Carlo Tozzi神秘岛
迈克尔·克雷格,琼·格林伍德毛骨悚然撞鬼经 2013夏季特别篇
指原莉乃,坂口宪二,深田恭子,藤谷太辅,铃木福非请勿进
斯蒂芬·多尔夫,娜塔莎·麦克艾霍恩,斯蒂芬·瑞导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命围困
马里斯特拉扎被称为建筑界的艺术家和大师，他所设计的建筑被同行奉为典范。在某个，一幢马里斯特拉扎的代表作拔地而起，然而这里却发生了惨绝人寰的凶案。许多无辜之人被砌在墙壁中，浇筑水泥窒息而死，这幢大楼也从此废弃。 15年后，年轻美丽的女拆迁工程师萨曼莎（Mischa Barton 饰）自学校毕业，她从父亲手中得到拆毁那幢大楼的任务。萨曼莎独自一人前来，在这里认识了女管理员玛丽•苏特（Shannon Jardine 饰）和她的儿子吉米（Cameron Bright 饰）。从母子的口中，萨曼莎得知这幢大楼的一些禁忌，而在吉米的引导下，她逐渐发现这里阴暗的一面……
魔法奇缘2：解除魔法
吉赛尔公主和罗伯特、摩根搬到了郊区的一栋新房子，被反派玛尔维娜·梦露监视着。随着问题的出现，吉赛尔许愿把他们的生活变成完美的童话，然而咒语产生了戏剧性的反作用，使吉赛尔不得不在午夜来临之前争分夺秒，以拯救她的家人和安大拉西亚王国。