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26岁的美丽女子田所真理子（麻生かおり暂无内容饰）与33岁的宫永步（坂元贞美暂无内容饰）既是职场的合作伙伴，又是一对男女恋人。只是宫永过于专注事业，而对真理子关心不够。因业务关系，他们与16岁的男孩柴崎耕平（戸上正彦暂无内容饰）接洽，进行程序软件的开发。耕平正处在躁动的青春期，虽然有着一位在超市工作的女朋友菊地比吕美（渡辺久美子暂无内容饰），但是对方却更愿意和超市的负责人川岛（岛村健次暂无内容饰）苟合，而不愿与耕平更近一步。耕平对真理子渐生好感，反遭拒绝，宫永则对耕平的做法一笑了之，不以为意，这令真理子大为光火。在这个炎热的夏天，她向这个少年展开了攻势……
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剧情提要
26岁的美丽女子田所真理子（麻生かおり暂无内容饰）与33岁的宫永步（坂元贞美暂无内容饰）既是职场的合作伙伴，又是一对男女恋人。只是宫永过于专注事业，而对真理子关心不够。因业务关系，他们与16岁的男孩柴崎耕平（戸上正彦暂无内容饰）接洽，进行程序软件的开发。耕平正处在躁动的青春期，虽然有着一位在超市工作的女朋友菊地比吕美（渡辺久美子暂无内容饰），但是对方却更愿意和超市的负责人川岛（岛村健次暂无内容饰）苟合，而不愿与耕平更近一步。耕平对真理子渐生好感，反遭拒绝，宫永则对耕平的做法一笑了之，不以为意，这令真理子大为光火。在这个炎热的夏天，她向这个少年展开了攻势……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.