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剧情简介
宥罗一直梦想功成名就，赚好多好多的钱，而俊则希望有朝一日回到自己的家乡。宥罗一方面责备俊不够有魄力，一方面盼望通过成为明星赚取名利。宥罗得到一个陌生大人物的帮助成为明星，却渐渐对这种行动被控制，甚至被当作宠物看待的生活渐生厌倦，越发怀念和俊的爱情。尽管想逃离现实，宥罗却摆脱不了越陷越深的窘境，终于精神崩溃，成为丧失记忆的废人。俊得知宥罗失踪马上四处寻找，终于在一家精神医院找到恍惚的宥罗……
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玉米地的孩子：起源
琳达·汉密尔顿,考特尼·盖恩斯,彼得·霍顿索命舞娘
麦迪·齐格勒,拉娜·康多,艾瑞丝·阿帕托,阿凡提卡·万达纳普,米利森特·西蒙兹,乌玛·瑟曼,莉迪亚·伦纳德,迈克尔·卡尔金,Kate Freund,克里斯蒂安·恰克瓦里,加博尔·纳吉帕尔,Julian Krenn,沙哈布·鲁巴达,鲍拉日·迈杰里,贝拉·奥尔萨尼,弗朗西斯·麦克伯尼,亚当·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet彼得·潘的梦幻岛噩梦
彼得·德索萨 Peter DeSouza-Feighoney,马丁·波特洛克,Megan Placito,尼古拉斯·伍德,凯利斯顿·韦勒英,Chrissie Wunna,珍妮·米勒,凯莉·里安·桑松,Amanda Jane Cooper,亚当·斯皮尔斯,Charlotte Jackson,Kat Green魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子父影之下
索佩·迪瑞苏,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦莱·戴维斯,Patrick Diabuah,Paul Edobor,玛莎·厄赫诺梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka把家虎
康琳浠,袁家骏,答有为,张原荣,王艺欢,赵鹏,王旭,梁栋,张婷,曹皓程,郭炫辰,杜俊峰,李凯武,蒋镇泽,蒋镇阳,岳建刚,杨恩全人气佳作
两架钢琴
弗朗索瓦·西维尔,娜迪亚·特列什科维奇,夏洛特·兰普林,伊波利特·吉拉尔多,阿尔芭·贝露琪,Anne Kessler,杰里米·勒温,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅兰妮·古思,帕斯夸莱·当卡,Michaël Maïno,Rafaël Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy爱的艺术2020
韩海印,김정훈神犬查利
女人
宝拉雅娜·麦金托什,劳伦·阿什利·卡特,肖恩·布里吉格斯,安吉拉·贝蒂斯,卡尔利·贝克,马西娅·贝内特,乔安娜·哈灵顿,汤米·尼尔森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
记忆裂痕：血亲幻影
国际知名微缩画家Alif遭遇严重车祸后失忆，一名老妇人突然现身，自称是他失散18年的母亲。Alif在拼凑破碎记忆的过程中，逐渐发现母亲的身份疑点重重，同时揭开了自己童年、家族与马林・昆当传说背后的黑暗真相。他必须在身份崩塌与创伤反噬中，直面自己的过去，终结这场由传说编织的悬疑迷局。
死亡阴影
法国青年克里斯（Fabian Wolfrom 饰），在他11岁时某个夜晚，哈雷彗星接近地球。似乎冥冥中有所感应，他的父母在当晚死于非命。此去经年，哈雷彗星再度接近地球，全世界人民寄予极大关注，各种或科学或玄学的猜测层出不穷，热议纷纷。对克里斯来说这颗星体的造访似乎没有什么特别的，但是他却发现周围人们的举止愈加怪异，人们越来越无法控制自己的情绪，各种暴力和暴动此起彼伏，在所谓的末日为降临前，众生已经陷入绝望的疯狂之中。彗星莅临当晚，克里斯受邀参加一个狂欢派对。谁知未过多久场面便完全失控，各种嗜血恶徒出笼，展开末日杀戮……