爱情战争

9.2 播放:92万 更新:2026-04-27

别名:爱情战争[法国版]Mes s eacute;ances de lutte,法国名导 贾克杜瓦 新作!挑战人类的x愛极限和影片尺度极限,精准崭露狂放而优美的两性关系,大胆呈现心目中的「生理治疗心理」。超越《巴黎最後探戈》、《感官世界》等影史经典。   

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别名:爱情战争[法国版]Mes s eacute;ances de lutte,法国名导 贾克杜瓦 新作!挑战人类的x愛极限和影片尺度极限,精准崭露狂放而优美的两性关系,大胆呈现心目中的「生理治疗心理」。超越《巴黎最後探戈》、《感官世界》等影史经典。   

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好像一切都很糟糕

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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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