基督僵尸

1.8 播放:42万 更新:2026-04-27
主演: Eidolona Jessica Alexandra Green Rob 

即刻观影

剧情赏析

编辑推荐

九十九首歌

Ehan Bhat,Edilsy Vargas,Tenzing Dalha,丽莎·蕾,玛尼沙·柯伊拉拉,Warina Hussain,Diwakar Pundir,Ranjit Barot,Rahul Ram,Ashwath Bhatt,Neel Tyagi,Chaitnya Sharma,Kurush Deboo,Burjor Patel,Kalyan Baruah

  99 Songs is a musician’s quest to understand his purpose and passion. It is a journey of heartbreak and redemption, of loss and faith; an ode to the timeless power of love and music. 99 Songs is co-written by A.R Rahman. He also composed the original score and songs.

加齐号的攻击

拉纳·达格巴提,凯·凯·门农,阿图尔·库尔卡尼

  1971年,印度与巴基斯坦之间在东巴解放战争之间的紧张局势日益紧张,巴基斯坦海军在一个高级秘密任务中计划袭击印度雄伟级航空母舰INS Vikrant,以控制孟加拉湾的水域 。 他们派出一流的潜艇PNS Ghazi(加齐号/勇士号),但被印度潜艇INS Karanj(S21)拦截。 随后发生水下攻击。

狂野时代

易烊千玺,舒淇,赵又廷,李庚希,黄觉,陈永忠,郭沐橙,张志坚,曾美慧孜,闫楠

  影片讲述“迷魂者”(易烊千玺 饰)通过体验视觉、听觉、味觉、嗅觉、触觉五感,跨越一个世纪的故事。而“大她者”(舒淇 饰)则好似是打开“迷魂者”故事的钥匙......

最后决战

皮埃尔·若利韦,让·布伊兹,让·雷诺

  此片是卢贝松再影坛还没没无闻时,凭著一腔热血,旺盛活力与爆发力, 突破一切传统,挣脱一切商业机制下的樊笼,冒著无色彩,无对话,无明星等大讳所完成的电影。当影片完成时,因宣传无门,于是卢贝松带著这部影片参加瑞士阿沃基影展,一举拿下评审特别大奖及影评人奖,因而打开他的国际知名度。解剖核子战后的文明废墟,因为无色彩,所以这是一部黑白色调的电影。

屋中异蛛

艾莉拉·布朗 , 佩内洛普·米契尔 , 瑞安·柯尔 , 希薇娅·克洛卡 , 杰梅因·福勒 , 诺妮·哈泽赫斯 , 罗宾·奈文 , Tony J Black , 阿尔西拉·卡皮奥 , 丹尼·金 , 罗兰·福尔摩斯

内详暂无简介

公寓2024

斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.