欲望酒店 Hotel Desire (2011)
这是七月以来最热的一天，单身母亲托尼（Saralisa Volm 饰）匆忙洗漱后，便送七岁的儿子去赶车，儿子将到法国的父亲那里度过夏令营。当焦头烂额的托尼赶到她所工作的酒店，虽然已经是干了五年的老员工了，但前台小生还是拿迟到为难她。生活和工作的小磕绊并非托尼的全部烦恼，真正令她愁眉不展的是，自从与丈夫分开后，她已经七年没有过性生活了，男人似乎都选择对一个带着小孩的女人视而不见，尽管托尼风韵犹存。别无他法，托尼只好继续如往日般打扫客房，当打扫到最后一间客房时，这里似乎住着一位画家，就当托尼以为刚淋浴出来的他会对贸然闯入的自己发怒时，她却发现眼前这个性感有趣的男人是位盲人……
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剧情简介
这是七月以来最热的一天，单身母亲托尼（Saralisa Volm 饰）匆忙洗漱后，便送七岁的儿子去赶车，儿子将到法国的父亲那里度过夏令营。当焦头烂额的托尼赶到她所工作的酒店，虽然已经是干了五年的老员工了，但前台小生还是拿迟到为难她。生活和工作的小磕绊并非托尼的全部烦恼，真正令她愁眉不展的是，自从与丈夫分开后，她已经七年没有过性生活了，男人似乎都选择对一个带着小孩的女人视而不见，尽管托尼风韵犹存。别无他法，托尼只好继续如往日般打扫客房，当打扫到最后一间客房时，这里似乎住着一位画家，就当托尼以为刚淋浴出来的他会对贸然闯入的自己发怒时，她却发现眼前这个性感有趣的男人是位盲人……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
你好弗里达
影片生动展现了墨西哥传奇女画家弗里达·卡罗的童年生活。好奇心旺盛的弗里达整天和妹妹玩耍，和邻居家的狗做朋友，爬树，在小镇上奔跑，当她拥有人生中的第一本笔记本，就迫不及待的上面涂满色彩斑斓的图画和想法。小儿麻痹症让她卧床不起，但小弗里达毫不退缩，一旦康复，她就会重返街头，展现她旺盛的生命力。