尸妖

9.8 播放:72万 2026-04-28

佛山著名妓院醉红轩的妓女红眉逝世後,富家子弟李正元(陈家奇),被判奸屍有罪,须入住精神病院;两年後,广州三元里也发现妓女萧梅被先杀後奸,广州市公安局侦缉处张处长(王戎)疑是已出院的李所为,佛山公安局刘局长(曹达华)答应全力协助;未几醉红轩又有妓女小翠病逝後屍首遭冒领;鸨母兰姑(恬妮)因妓院生意一落千丈,而凶手之目的又似针对本人,遂打算结业回乡,但张曰不可 

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六号关口

凯特·波茨沃斯,托马斯·克莱舒曼,卢锡安·拉维斯科特,马丁·麦凯恩

  After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.

愿者安息

里法特·桑贾尔,Emrah Altintoprak,Cansu Türedi

  Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.

与祖国同在

诺埃尔·考沃德,约翰·米尔斯,伯纳德·迈尔斯,西莉亚·约翰逊,凯·沃尔什,乔伊丝·凯里,德里克·艾尔菲斯通,迈克·怀尔登,Robert Sansom,菲利普·佛伦德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐纳德,迈克尔·惠特克,Kenneth Carten,约翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,莱斯利·德怀尔,John Singer,John Boxer,约翰尼·斯科菲尔德,沃尔特·菲茨杰拉德,杰拉尔德·凯斯,丹尼尔·梅西,Ann

 故事发生在一艘名为“托林号”的英国皇家海军驱逐舰上,在一场激烈的海战中,该驱逐舰击落了多驾敌机,创下了赫赫战功,但它也因为拼搏在战斗的第一线而伤痕累累,最终中弹起火。在舰长金洛斯(诺埃尔·考沃德 Noel Coward 饰)的要求之下,船员们放弃了托林号,塔上了救生艇,其中包括军士长沃尔特哈迪(伯纳德·迈尔斯 Bernard Miles 饰)和新兵肖蒂(约翰·米尔斯 John Mills 饰)等人。一行人在海上艰难漂泊,全凭意志和对家人的思念才勉强幸存,最终被一艘英国军舰救起,获救之时,刚开始浩浩荡荡的240名官兵,仅剩下19人。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

怪猴

西奥·詹姆斯,塔提阿娜·玛斯拉尼,伊利亚·伍德,劳拉·门内尔,克里斯蒂安·康佛瑞,萨拉·莱维,罗汉·坎贝尔,科林·奥布莱恩,Corin Clark,奥斯古德·珀金斯,Danica Dreyer,Kingston Chan,Dianne Greenwood,齐亚·牛顿

  当双胞胎兄弟哈尔和比尔在阁楼上发现父亲的旧猴子玩具之后,他们周围开始发生一系列可怕的死亡事件。兄弟俩决定把猴子扔掉,继续他们的生活,但多年来却越来越疏远。但当神秘的死亡再次开始时,兄弟俩必须重新团结起来,找到一种方法来彻底消灭这只猴子,以免它夺走所有与他们亲近的人的生命。

时间浪人之爱你一大跳

艾伦,林佳陵,黄妮娜,郭祥鹏,陈姝,苗驰,纪阳木

  该片剧情主要讲述了一个现代花花公子楚留香每天周旋于多个情人之间,某天意外被情人们发现后将他扔下悬崖,等他醒来时发现自己竟离奇穿越到古代,并且被将军府千金杜鹃儿带回去做家丁,而更加不可思议的是,他发现杜鹃儿竟然也是从现代穿越来的,随后两人就发生了一段“山路十八弯,荡气回肠”的另类穿越爱情故事。