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啄木鸟和雨
役所广司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努诡秘阴宅
茱莉亚·克斯奇兹,Marii Weichsler,迈克尔·品克,Leon Orlandianyi,Inge Maux,Finn Reiter,Benno Rosskopf,Lars Bitterlich,Lisa Stern,Christina Cervenka大明嫔妃之逐鹿
宋洋,何杜娟,朱一龙,陈一诺,王艺曈,王春妹最终测试
安东尼·迈克尔·豪尔,查理·吉尔莱斯皮尔,汉娜·凯普尔,约翰·卡普洛斯,利丽克·罗斯悭钱家族
杨千嬅,陈奕迅,郑裕玲,曾志伟,黎耀祥,何超仪怪形前传
玛丽·伊丽莎白·温斯特德,乔尔·埃哲顿,乌尔里奇·汤姆森,艾瑞克·克里斯蒂安·奥森,阿德沃尔·阿吉纽依-艾格拜吉,保罗·布朗斯坦,琼德·埃斯彭·塞姆,Kim Bubbs,尤尔根·朗赫勒,简·冈纳·勒伊斯,斯蒂格·亨里克·霍夫,克里斯托弗·海维尤,霍·阿德里安·哈万,卡斯腾·拜卓隆,乔纳森·沃克,迈克尔·布朗同类精选
叶塞尼亚
杰奎琳·安德瑞,乔治·拉瓦特,艾尔玛·洛扎诺,胡安·加利亚,奥斯卡·莫雷利,Pilar Sen,伊莎贝拉·科罗娜,Claudia Martell,艾丽西亚·罗德里格斯,奥古斯托·贝内迪克,维克托·阿尔科塞尔,何塞·巴伐利亚,罗莎·弗曼,Maria Wagner,费尔南多·索莱尔寂静的朋友
梁朝伟,卢娜·韦德勒,恩佐·布鲁姆,蕾雅·赛杜,西尔维斯特·格罗特,黄云,卢卡·瓦伦蒂尼,菲利克斯·布罗斯,赖纳·博克,玛莱内·布罗,厄文·吉瑟,约翰内斯·赫格曼,斯凯·霍夫曼,约翰内斯·沙伊德魏勒,马丁·乌特克狄仁杰之通天浮屠
罗立群,许翔,张婉琳,侍宣如异尘余生：尸鬼圣诞节
蒙上你的眼：逃出巴塞罗那
乔治娜·坎贝尔,马里奥·卡萨斯,迭戈·卡尔瓦,米歇尔·珍娜,莱昂纳多·斯巴拉格利亚,洛拉·杜埃尼亚斯,帕特里克·克里亚多,Alejandra Howard,西莉亚·费杰罗,Naila Schuberth,冈扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿达,Brian Lehane,Gerard Oms小前提
Sathya Sridharan,帕顿·阿什布洛克,达纳·艾希布鲁克影视排行
阿提克斯研究所
莱亚·吉斯特德,威廉·麦鲍瑟,莎朗·摩翰,约翰·鲁宾斯坦,Hannah Cowley,Rob Kerkovich,杰拉尔德·麦卡洛克,Trisha Rae Stahl,朱丽安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·贝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth20世纪50、60年代，亨利·韦斯特博士（威廉·麦鲍瑟 William Mapother 饰）创建了灵学实验室阿提克斯研究所，针对超能力、透视、读心术、隔空取物等边缘学科展开研究。虽然遭遇了无数的挫折与嘲笑，但是韦斯特博士仍坚持不懈朝着目标前进。1975年，他的实验室因某起骗局而被迫关闭，就在此时一个略显神经质的女人朱迪思·温斯黛德（莱亚·吉斯特德 Rya Kihlstedt 饰）被送到实验室。她之前因伤而拥有了超能力，而其看似货真价实的超能力迅速令见多识广的科学家们大为折服。在这一过程中，朱迪思的能力不断加强，甚至已经到了失控的程度。 这已远远超出了超能力的范畴，谜团背后恶魔的身影时隐时现……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
狂龙伏妖
陈浩民,乔牧,肖明玉赤屠龙师兄三人得知祖师爷被将要化成蛟龙的蛟妖所伤，于是自告奋勇去降妖。师兄来到升平镇，遇到何府抢婴，得知从骷髅精追回婴儿的妖人可儿，是年轻时与“梅花鹿精”素素之女。可儿告知母亲被蛟妖控制在阴风洞。升平镇内也是怪事连连，许家儿女行为异常，无忧和常乐布下天罗地网捉拿蝙蝠精；另一边荒郊大宅赤屠龙救下少爷荣华。蛟妖获悉得知强敌当前，双方展开激斗，因蛟妖法力强大，赤屠龙身受重伤；他取出祖师爷所赠的锦囊，悟出真谛，入蛟妖体内将其歼灭。素素吐出修练的仙珠救下奄奄一息的赤屠龙，重返深山望有朝一日能得道成仙。
奥本海默
基里安·墨菲,艾米莉·布朗特,马特·达蒙,小罗伯特·唐尼,弗洛伦丝·皮尤,阿尔登·埃伦瑞奇,大卫·克朗姆霍茨,乔什·哈奈特,杰森·克拉克,卡西·阿弗莱克,戴恩·德哈恩,本·萨弗迪,大卫·达斯马齐连,拉米·马雷克,汤姆·康蒂,肯尼思·布拉纳,加里·奥德曼,詹姆斯·达西,梅肯·布莱尔,杰克·奎德,迪伦·阿诺德,艾玛·杜蒙特,杰佛逊·豪尔,乔什·祖克曼,马修·莫迪恩,马提亚斯·施维赫夫,亚历克斯·沃尔夫,托尼·戈德温,库尔特·克勒,约翰·高恩,蒂姆·迪凯,泰德·金,古斯塔·斯卡斯加德,迈克尔·安格拉诺,丹尼·德当我们为权力金钱焦虑、兴奋与愤怒时，却根本想象不到“他们”在谈论着怎样更重要的事情。随着战争阴云笼罩世界上空，各国紧锣密鼓抓紧军事竞赛。为了抢占先机，美国陆军中将莱斯利·格罗夫斯（马特·达蒙 Matt Damon 饰）找到量子力学与核物理学领域的扛鼎人物罗伯特·奥本海默（基里安·墨菲 Cillian Murphy 饰），力荐其担任曼哈顿计划的首席科学家以及洛斯阿拉莫斯国家实验室的总负责人。经过两年争分夺秒的研发，硕大的蘑菇云终于在荒原的上空腾起，也宣告着绞肉机一般的二战即将落下帷幕。奥本海默有如将火种带到人间的普罗米修斯，可是对人性的参悟和对未来的担忧迫使他走向与政府相悖的道路。更可悲的是，凡人钟情的物欲也将一世天才裹挟至炼狱之中，永世燃烧……