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平原上的迷途
菲利波·斯科蒂,塞尔吉奥·罗马诺,皮耶尔保罗·卡波维拉,罗伯托·西特兰,安德里亚·彭纳基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina情感价值
雷娜特·赖因斯夫,斯特兰·斯卡斯加德,英加·伊布斯多特·莉莉亚斯,艾丽·范宁,安德斯·丹尼尔森·李,加斯帕·克里斯滕森,莱娜·恩卓,科里·迈克尔·史密斯,凯瑟琳·科恩,Andreas Stoltenberg Granerud,Øyvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde Søyland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol铁血战士：杀戮之地
艾丽·范宁,迪米特里乌斯·舒斯特-科洛阿玛坦吉灵犀
Jay Dee,Daniel 'Doknow' Lopez,Uziel Pantoja Delgado,Pao Villalobos,Nana Ponceleon,Laura Lopez,Francine Sena,Liz Ellie,Xavier Mendoza,Jose Mata,Cristian E. Gutierrez,Josh Benitez,Cory Aycock,Angelina Rosa,Noman Hosni,Terrence DeLane,Seryn公寓管理员
帕特里克·约翰·弗吕格,方·基默,路易莎·克劳瑟,保罗·本-维克托,尤尔·瓦斯克斯,梅丽莎·博洛纳,金·迪莱克特,阿曼达·沃伦,斯坦·德米多夫,卢克·爱德华兹,艾丽克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奥基里特·奥诺多瓦恩典
托尼·塞尔维洛,安娜·费泽蒂,奥兰多·辛克,马西莫·文图列洛,米尔维亚·马里利亚诺,朱塞佩·盖亚尼,乔瓦娜·圭达,阿莱西亚·朱利安尼,罗伯托·齐贝蒂,Vasco Mirandola,Linda Messerklinger,Rufin Doh Zeyenouin,Simone Colombari,Alexandra Gottschlich,Lucio Zagaria,Francesco Martino,Tommaso Amadio,Guè Pequeno,Shablo,Fabrizio Bordignon同类推荐
裂口女2
飞鸟凛,川村雪绘,岩佐真悠子,真山明大,谷口贤志,草野康太,中野英雄,斋藤洋介,林未纪泽田家在岐阜县经营养鸡场，家里有三个姐妹花。大女儿泽田幸子（川村雪绘 饰）马上就要结婚，二女儿泽田雪枝（岩佐真悠子 饰）在美容院工作，小女儿泽田真弓（飞鸟凛 饰）正读中学，生性活泼。然而，突如其来的惨剧将幸福的一家推入了深渊。雪枝过去的男朋友铃木因为妒火攻心，想要加害雪枝，不料却把硫酸误泼到了真弓脸上。深受伤害的真弓从此失去了笑 容，两个姐姐陪伴在她身边不断鼓励她。 不久后，真弓学校的同学以及毕业生接连被杀，整个街区笼罩在恐怖的阴影之中……
神探瓦雷斯：绑票追缉令
里欧·舍曼,加斯帕·帕科农,米·库基不敢相信！浪荡不羁的瓦雷斯终于要结婚了，但是在婚礼上，瓦雷斯突然接到伴郎「解毒剂」的紧急来电，对方被帮派份子严刑拷打，需要他的救援。当他深入毒窟营救老友的同时，他新婚妻子的女儿被绑架了。瓦雷斯第一天当爸爸，就出大事了，为了营救继女，瓦雷斯被迫参与一场神秘诡谲的性爱邪教聚会，他分秒必争，必须抢在犯罪集团之前，拯救他所爱的人保护他的新家人。
东北恋哥3：冬天里的一把火
包贝尔,张梦露,乔杉,潘斌龙,韩彦博,韩云云,张呈90年代的哈城，刚刑满释放的徐铁（包贝尔 饰）偶遇装哑的舞女百灵（张梦露 饰），两人也在几次偶遇和深夜相伴中渐生情愫。直到除夕夜的温暖，让他们相互靠近，却又因现实隔阂，家人误解而屡屡拉扯。百灵为父还债的秘密账本，让徐铁读懂了她的苦衷，雷力的迫害更是将两人推向绝境，徐铁以命相搏救出被囚的百灵，终赢来家人祝福。这对孤独灵魂，在世俗重压下，以真爱焐热了彼此的人生。
黑暗崛起
卡特丽娜·洛,拜斯·约翰逊,希瑟·马祖尔,迈克·沃特福德,Christian GaniereNearly murdered as a child by her mother, a woman (Katrina Law) returns to the house where her mom went mad.
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.